The spine of the folder is frayed and torn but the contents are in excellent condition. This is probably the finest example of varied experimental Lettrist writing. An essay on four mimeographed loose pages possibly by Isou and not a part of ths piece entitled"Quelques Certitudes Theologiques et Esthetiques" has been tucked into the cove runder the dust jacket.The ouside lithographs are identical from page to page and allread Isidoe Isou repetively accompamied by Lettrist hieroglphics. -- Source of annotation: Marvin or Ruth Sackner.

The print included in this catalogue was made by Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

The print included in this catalogue was made by Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

This is a listing of Lemaitre's works for sale. -- Source of annotation: Marvin or Ruth Sackner.

Serpan (aka Iaroslav Sossountzov) lived from 1922-1976. Michel Tapies contributed an essay on Serpam. -- Source of annotation: Marvin or Ruth Sackner.

According to his widow, Stubbing composed concrete poems in the late forties and early fifties both in English and Spanish. However, he is best known for his palm print abstract paintings. He might have became influenced in concrete poetry by Mathias Goeritz with whom he knew in the School of Altamura, Spain in 1949-1950. However, Goeritz's concrete poetry was published over a decade later from the Spanish experience. An original concrete poetic collage and typing "Poema Vociferado" c.1949 is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.