Weiss, Irving, 1921-2021
Dates
- Existence: 1921 - 2021 June 21
Nationality
American
Found in 117 Collections and/or Records:
Visual Voices Unpublished; Rogue Poemlet Dislocation with Impudent Rehosting Elsewhere; page 16 / Weiss, Irving., 1994
This poem is based upon Rogue: from sonnet by William Percy in Coelia, 1594. Original source: sonnet by Percy. Second host: sonnet by Barnaby Barnes in Divine Century of Spiritual Sonnets, 1595. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Shadows Beginning to Fall into the Well of the Poem; page 29 / Weiss, Irving., 1994
This poem is based upon Drummond of Hawthornden from Flowers od Sion -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Synoptic Poem in Three Dimensions: Physique, Energy, and Syntax; page 86 / Weiss, Irving., 1994
This poem is based upon Milton, "On His Blindness" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; The Poem Is Its Own Television; page 37 / Weiss, Irving., 1994
This poem is based upon Colin Francis, "Tony O!" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; The Poem Winks at the Reader; pages 4 / Weiss, Irving., 1994
This poem is based upon Suckling, "Upon Christman Eve" -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; The Weave in the Fabric of the Sonnet; page 54 / Weiss, Irving., 1994
This poem is based upon Wyatt, "Who so list to hount" Stretch out the sonnet in order to perceive better how the weave works, any type of sonnet will do, in this example Wyatt's use of the Italian connection. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Theoretical Poem; page 12 / Weiss, Irving., 1994
Visual Voices Unpublished; Three Touching Poems; page 90 / Weiss, Irving., 1994
This poem is based upon Robert Bridges, "Anniversary" Thomas Moore, "Bright Be Thy Dreams" Anonymous, "Dainty Sweet Bird...." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; Touch and Tinker Poem; or, What Would Be the Degrees of Stress If You Were to Stretch Out the Lines as Prose?; page 61 / Weiss, Irving., 1994
This poem is based from Keats, Hyperion, Book 2 -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished; World Within a World Poem; page 59 / Weiss, Irving., 1994
This poem is based upon Chapman, from The Whole Works of Homer, c.1616, Iliad, Book XVIII -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices Unpublished;Poem Accumulating Fourteen Lines; page 24 / Weiss, Irving., 1994
This poem is based upon Shakespeare, Sonnet 106 -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Wingless Duck Poemlet Wanders Out of Poem; pages 114--115 / Weiss, Irving., 1994
This poem is based upon (1517?-1547) Surrey, " How no age is content with his own estate & how the age of the children is the happiest, if they had the skill to understand it." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Zeroing - In Poem; pages 84-85 / Weiss, Irving., 1994
This poem is based upon Ben Jonson, "Slow, slow, freah fount." from Cynthia's Revels. The word at the zero circlet, between "grief" and "showers," is, indeed, "in." -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices; Zipperpoem: The Approach, Closure, and Congress; pages 56-57 / Weiss, Irving., 1994
This poem is based upon William Shakespeare (1564-1616), Sonnets 65 and 71. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices;The Traditional poem as Postmodern Transformer; pages 106--107 / Weiss, Irving., 1994
This poem is based upon John Lydgate(1370-1451?), from The Dance of the Death. -- Source of annotation: Marvin or Ruth Sackner.
Visual Voices;Two Poems Accidentally Driven Together by Homolettristic Explosions in an Alphabetical Minefield; pages 58-59 / Weiss, Irving., 1994
This poem is based upon Sir Thomas Wyatt (1503-1542), "Hate whom ye list." Barnabe Googe (1504-1594), "To Doctor Bale." The two poems, unaware of each other's presence, meet in an alphabetical minefield. In their collision they accidentally interconnect lines, becoming a monster of a single poem, at which the mines go off homolettristically, each mine blowing up its letter-likeness in an adjacent line of the monstrous poem. -- Source of annotation: Marvin or Ruth Sackner.
Xerolage: Linear Arrangements. No.36 / Larry Quarles., 2005
Subtitled More Effects form our Primodial Constriants, Quarles art is derived from the computer programs Photoshop and Java. -- Source of annotation: Marvin or Ruth Sackner.
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- Concrete poetry 67
- Typewriter poetry 62
- Conventional poetry 30
- Critical text 7
- Picture poetry 6
- Text over text 5
- Abstract markings 4
- Correspondence art 4
- Visual poetry 4
- Cancelled text 3
- Fragmented text 3
- Aphorism 2
- Calligraphic text 2
- Mathematical poetry 2
- Asemic writing 1
- Colored text 1
- Comic strip art 1
- Computer art 1
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- Conventional non-fiction 1
- Diagram 1
- Documentation 1
- Experimental calligraphy 1
- Game 1
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- Repetitious text 1
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