Smith reviews Hansen's exhibitions at Thread Waxing Space and Gracie Mansion at Emily Harvey Gallery. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of a two person show at MOMA NYC featuring Leon Ferrari and Mira Schendel. -- Source of annotation: Marvin or Ruth Sackner.

This is a review of the exhibition at the New York Public Library "French Book Arts / Livres d'Artistes: Artists and Poets in Dialogue." The show originates from the collection of the Biblioteque Litteraire Jacques Doucet in Paris along with many items from the NYPL special collections. -- Source of annotation: Marvin or Ruth Sackner.

In 1999 the Ubu Gallery in Manhattan organized a revelatory exhibition of his so-called Prose Poems from the mid-1960's - large, colorful word-strewn collages that combined elements of Concrete poetry and Pop Art and presaged image-text artists like Barbara Kruger. -- Source of annotation: Marvin or Ruth Sackner.

Martin Wilner whose drawings are held by the Sackner Archive also exhibited his work in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This is a favorable review of Dieter Roth's retrospective exhibition at The Museum of Modern Art Queens in March 2004. -- Source of annotation: Marvin or Ruth Sackner.

Higgins died in Quebec at a sound poetry colloquium one day after performing a piece that involved screaming as loudly as possible for as long as possible. -- Source of annotation: Marvin or Ruth Sackner.

Obituary of Jean Brown, whose archive inspired the Sackners to focus their collection on concrete and visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

This highly favorable review deals with a show of Sharits' works at Greene Naftali, New York. The Sackner Archive lent three drawings to thie exhibiion -- Source of annotation: Marvin or Ruth Sackner.

This retrospective at the Whitney Museum of American Art consists mainly of phrases in large letters by Lawrence Weiner. -- Source of annotation: Marvin or Ruth Sackner.

Roberta Smith reviews Tom Phillips' exhibition at Flowers Gallery NYC on June 3, 2005. She was particularly taken with the new collage works that "are the stongest in the show." She adds that "They are made with tiny chips of paper cut from comic books and laid on with dense almost scalelike surfaces... The surprise is that anything new can be done with collage or comics. The reward aside from visual pleasure, is confirmation that anything is possible." -- Source of annotation: Marvin or Ruth Sackner.

Ms. Smith reviews the exhibition at the Metropolitan Museum titled "Wordrobe," which "delves into the different ways that language has infiltrated clothing, or what the show's curator, Richard Martin, calls the reconciliation of textile and text." The article depicts two examples, viz., Pauline Trigere's "Trigiere Coat" from 1973 and a 1990 wool jersey dress by Christian Francis Roth. -- Source of annotation: Marvin or Ruth Sackner.