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Xu, Bing, 1955-

 Person

Dates

  • Existence: 1955

Found in 4 Collections and/or Records:

Binding Together Cultures with Cords of Wit / Lloyd, Ann Wilson; Bing X., 2000

 Item
Identifier: CC-34598-36297
Scope and Contents

The reporter descibes the work of Xu Bing who invented "New English Calligraphy," authentic-looking Chinese ideograms that are actually English words. Strung together, they make sentences that appear to be Chinese but read as English. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Calligraphy, Cavorting Pigs and Other Body-Mind Happenings / Cotter, Holland; Bing X., 2002

 Item
Identifier: CC-38647-40556
Scope and Contents

This review of Xu Bing's exhibition "Word Play" considers written language as performance. Bing's well known work "Books from the Sky" is installed at the Sackler Gallery in Washington and consists of "an architectural environment made entirely of books, wall panels and enormous paper scrolls that hang from the ceiling like a canopy. Every surface is covered with words, printed from thousands of wood block plates hand-carved by the artist. The language resembles Chinese but actually consists of nonsense characters he invented." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Reading Landscape / Bing, Xu., 2001

 Item
Identifier: CC-36089-37867
Scope and Contents

Huston Paschal prepared this gallery guide for the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

The Art of Xu Bing: Words without Meaning, Meaning without Words / Bing, Xu., 2001

 Item
Identifier: CC-43911-46020
Scope and Contents This book was published to coincide with an exhibition at the Sackler Gallery. Library Journal: "At the culmination of his art career in China, Xu Bing (who now lives in the West) spent months inventing more than 1200 characters that mimic Chinese characters but have no known meaning. At once familiar and strange, they evoke confusion, wonderment, and even hostility in viewers. Xu Bing printed them in books with traditional formats, on wall posters, and on giant billowing sheets, which he installed in exhibition galleries to form a ceiling or sky. He cagily argues that any explanation of his art is superfluous because the books have no meaning. However, while the books themselves may be unreadable, they have a great deal to say about what their creator thought about Chinese art and culture after the Cultural Revolution. Issued in conjunction with his current exhibition at the Sackler Gallery of the Smithsonian, this catalog describes the artist's early years in China and his...
Dates: 2001