This card proposes an object "suited to a Situation commanding an extensive Prospect" to be viewed from within William Shenstone's (18th century) The Leasowes garden. It is an obelisk that mocks a commission by Sadam Hussein for the Iraq super-gun from parts inadvertently forged by Walter Somers. -- Source of annotation: Marvin or Ruth Sackner.

The figleaf images printed over the word "Figleaf" almost obscures the stencilled word. -- Source of annotation: Marvin or Ruth Sackner.

This booklet consists of a listing of the calling initials of Scottish fishing boats in alphabetical arrangements. -- Source of annotation: Marvin or Ruth Sackner.

The work is composed of 4 prints each a single word formed from a collage of packets of commercial plant seeds. The height of all the prints is the same with the width smaller or larger depending on the number of the letters in the word. -- Source of annotation: Marvin or Ruth Sackner.

The six inscribed fragments concerning the French Revolution 1789-1805 were composed by Finlay and carved by Stirling in Portland stone. The exhibition was curated by Finlay and Simig. The commentary was written by Siegfried Blasche. -- Source of annotation: Marvin or Ruth Sackner.

This card depicts a color photograph on its verso of a calligraphically carved stone sculpture being sited near a bridge in Glasgow and a photographic reproduction of an abstract expressionist painting by Vladimit Kokolia on its recto. -- Source of annotation: Marvin or Ruth Sackner.