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Alice Attie designed the cover as a micrographic script of Molly Bloom's Soliloquy from James Joyce's "Ulysses." She exhibited a drawing of micrographic script that consisted of a letter from Joyce to his wife Nora. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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This book contains three illustrations by Hans Bellmer. -- Source of annotation: Marvin or Ruth Sackner.

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The cards contain reproductions of puppets from the maquets for Les jeux de la poupee c.1938. -- Source of annotation: Marvin or Ruth Sackner.

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The gallery announcement is collaged with a doll's arm that might be missing from the photograph of a poupee on the verso. The card was designed by Eileen Boxer. -- Source of annotation: Marvin or Ruth Sackner.

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This is a sumptuously illustrated catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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Of particular interest in this catalogue is a glossary of definitions relating to the illustrated book on pages 65 and 66. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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The exhibition that accompanied this brochure was curated by Whitney Chadwick, Katy Kline and Helaine Posner. The Sackner Archive lent Cahun's photograph,"L'Humanite Poupee," two copies of the book "Aveux non avenus" by Claude Cahun, Francois Lepelier's "Claude Cahun: Un Monographie," and the catalogue "Claude Cahun Photographe" to the exhibition at its Miami Art Museum venue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The exhibition that accompanied this catalogue was curated by Whitney Chadwick, Katy Kline and Helaine Posner. The catalogue was edited by Whitney Chadwick. In her opening essay, "An Infinite Play of Empty Mirrors; Women, Surrealism, and Self-Realization," Chadwick writes that the rediscovery of Claude Cahun in the early 1980s is accompanied with a critical rereading of historical Surrealism. "The neatness with which Cahun's photographs have been annexed to post modern concerns with the decentered subject and with identity as contingent and mutable has obscured the complexity and contradictions of her writings and blinded many to the works' representations of conflicted identities." Katy Kline contributes an essay, "In or Out of the Picture: Claude Cahun and Cindy Sherman." She analyses the differences between the two artists and how they each participated in the Surrealist belief system. Kline notes that Cahun was one of few women close to the original Surrealist group and...

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This listing of manuscripts and photographs is extensive annotated and illustrated. The Ramond Federman Archive is listed for sale. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. It offers artists' letters and documents. -- Source of annotation: Marvin or Ruth Sackner.

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A deluxe run of 291 is offered at $110,000. Issues No.10-11 and No.12 are ordinary - these issues were never printed as deluxe copies. -- Source of annotation: Marvin or Ruth Sackner.

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The following books are listed and held by the Sackner Archive: "Aveux non avenus" by Claude Cahun; DADA 3; "Oreille gardees" by Jean Dubuffet; "For the voice" by El Lissitzky; "Le Courtisan grotesque" by Joan Miro and Iliazd; "1 cent Life" by Walasse Ting. -- Source of annotation: Marvin or Ruth Sackner.