The book "La Prose du Transsiberien et de la Petite Jehanne de France," by Delaunay and Cendrars which is mentioned in this issue is held by the Sackner Archive. The exhibition catalog, "The Spiritual in Art" is reviewed. -- Source of annotation: Marvin or Ruth Sackner.

Contains examples of alphabets from languages other than English. -- Source of annotation: Marvin or Ruth Sackner.

Krystyna Wasserman curated the exhibition and wrote an introductory essay. The Sackner Archive lent "La Prose du Transsiberien et de la Petitie Jehanne de France" by Sonya Delaunay and Blaise Cendrars. The books are illustrated on the right facing pages and each artist wrote a personal explanation of her work on the left facing page. Sandra Jackman, one of the contributing artists, provided a travel notebook from her journey to the middle east. -- Source of annotation: Marvin or Ruth Sackner.

This package comprises a kit of source material given to teachers. The Sackner Archive lent Sonya Delaunay's book, "Transsiberian Railroad" to this exhibition. The laminated print is an English translation of part of the poem with a concrete presentation owing to the inventive employment of typefaces. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition celebrates 30 years of collecting works on paper and artists books in the Miami-Dade Library and was curated by Barbara Young, Margarita Cano and Helen Kohen. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue edited by Wendy Kaplan was published for the inaugural exhibition of the Wolfsonian Museum, Miami Beach. The Sackner Archive lent Sonia Delaunay's "Transsiberien Railway" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Definitive catalog for an exemplary exhibition that was curated by Anne d'Haroncourt. Sonia Delaunay's "La Prose du Transsiberien," a work held by the Sackner Archive is depicted. -- Source of annotation: Marvin or Ruth Sackner.

This is a facsimile of the artist's book originally published in 1913, made after an original copy in the collection of the Beinecke Rare Book & Manuscript Library at Yale University. The original copy was purchased from the Sackner Archive. This edition also includes a new English translation and essay by curator Timothy Young in an accompanying book. The facsimile was reproduced from scanned images of the original and printed on Mohawk Superfine Ultrawhite Eggshell 100 text. It was letterpress scored, then hand folded like the original and assembled. The slipcase was base on the original vellum cover, which was hand-painted by Sonya Delaunay and glued to the text block. This work is stored with "Metaphor Taking Shape." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive auctioned lots 91 to 116 from their collection. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalog. Page 11 depicts a color photograph of the cover of Volume 2 of The Industry of Socialism, a work held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The works listed in this catalogue and held by the Sackner Archive include the following: "Prose du Transsiberien" by Sonya Delaunay and Blais Cendrars,and "De laudeibus sanctae crucis opus" by Hrabanus Maurus. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalogue. The Sackners sold "Proun 2C" by El Lissitzky in this auction. -- Source of annotation: Marvin or Ruth Sackner.

Tatiana Nazarenko contributed an essay Re-Thinking the Value of the Linguistic and Non-Linguistic Sign: Russian Visual Poetry Without Verbal Components." In it she discusses contemporary concrete and visual poetry and expresses gratitude to the Sackners "for their support, hospitality, access to the materials used in this paper and permission for publication." Julia Friedman writes about Alexei Remizov, a Russian writer, painter who made hundreds of albums between 1932 and 1949 that appear to be unique artist books with images and calligraphic narrative texts. -- Source of annotation: Marvin or Ruth Sackner.