This exhibition explores how the accordion fold has been used in the West within a variety of different printed matter contexts with a special emphasis on publications produced by artists from the 1960s onwards. -- Source of annotation: Marvin or Ruth Sackner.

According to the Stokes' WEB site: "Taking as a starting point the incongruous space and shadows made by the open pages of the book, the process of opening or "entering " is explored as one would an unknown dwelling. This process of exploration develops into the construction of a room within the book and then leads from the core of this interior place outwards, as fusion between inside and outside. Interspersed, a constructive text hovers and casts shadows on the open pages as an active commentary and associative dialogue on the 'construction .'" -- Source of annotation: Marvin or Ruth Sackner.

According to the Stokes' WEB site: "A visual narrative is built up in sequence through the devise of car windscreen wipers, which when wiping enable the viewer to see the road and the developing events in the book ahead. However not well enough to avoid a collision with a motorcyclist. On collision, everything turns upside down and leads to a new sense of time and space floating loose." -- Source of annotation: Marvin or Ruth Sackner.