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Haacke, Hans, 1936-

 Person

Dates

  • Existence: 1936-

Found in 7 Collections and/or Records:

Serielle Formationen / Andre C ; Arman ; Haacke H ; Henderikse J ; Kolar J ; Lenk T ; LeWitt S ; Manzoni P ; Roehr P ; DeVries H ; Schmidt W ; Uecker G ; Warhol A ; Roth D ; Lueg K., 1967

 Item
Identifier: CC-38072-39962
Scope and Contents

This book includes two offset prints by Peter Roehr and Herman de Vries as well as other multiples by less known artists. The exhibition was organized by Peter Roehr and Paul Maenz. Each copy is unique as each is printed on a different sheet of commercially designed, rubberized plastic. Karl Lueg who contributed to this exhibition later changed his name to Karl Fischer and became an art dealer. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1967

Tilting at Corporate Camouflage / Haacke, Hans., 1988

 Item
Identifier: CC-09186-9367
Scope and Contents

The curators of this exhibition, which was sponsored by the Gil and Lila Silverman Foundation, published the catalogue in the Grand Rapids Press newspaper as advertisements depicting each work in the show on five successive days. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

Visions & Re-Visions on the Boulevard of Broken Dreams / Wolfgang Hainke, curator ; Broodthaers M ; Donagh R ; Glasmeier M ; Haacke H ; Hainke W ; McLaren M ; Oldenburg C ; Williams E ; Roth D ; Ruscha E ; Mallarme S ; Ay-O ; Maciunas G., 2008

 Item
Identifier: CC-54667-990107
Scope and Contents One pamphlet is the music score of Boulevard of Broken Dreams (1933) in the American movie "Moulin Rouge." The other pamphlet by Rita Donagh and Richard Hamilton "A Cellular Maze," (1983) is a polemic of the British prison system in Northern Ireland. This book is based upon an exhibition held in 2000 but as Emmett Williams comments on the dust jacket "by no stretch of the imagination could you describe it as an art catalogue...Call it simply an artists' nonbook Happening that happens to be a monument to the art of bookmaking." This book also reprints a manifesto by Oldenburg from Store Days (1961) as follows below. I am for an art that is political-erotical-mystical, that does something other than sit on its ass in a museum. I am for an art that grows up not knowing it is art at all, an art given the chance of having a starting point of zero. I am for an art that embroils itself with the everyday crap & still comes out on top. I am for an art that imitates the human, that is...
Dates: 2008

Additional filters:

Subject
Conceptual art 4
Fluxus 2
Artist book (citation) 1
Artist book (mass produced) 1
Constructivism 1