Hiller, Susan, 1940-2019
Person
Dates
- Existence: 1940 March 7 - 2019 January 28
Nationality
American (born), British (based)
Found in 4 Collections and/or Records:
Map Is Not the Territory, The: Part 1 / Furnival J ; Greenaway P ; Kenny C ; Hiller S ; Kent J ; Willats S ; England J ; Callan J ; Druks M ; Herbert A ; Langlands & Bell., 2001
Item
Identifier: CC-42911-44954
Scope and Contents
John Furnival's print, "Woful Dane Bottom," that deals with the small town that the Welsh poet W.H. Davies spent the last years of his life is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
2001
Map Is Not the Territory, The: Part 2 / Kenny C ; Hiller S ; England J ; Callan J ; Druks M ; Russell G ; Duman A ; Rees M ; Langlands & Bell., 2002
Item
Identifier: CC-42912-44955
Map Is Not the Territory, The: Part 3 / Kenny C ; Hiller S ; England J ; Greenaway P ; Callan J ; Druks M ; Russell G ; Langlands & Bell., 2003
Item
Identifier: CC-42913-44956
Susan Hiller / Hiller, Susan., 1996
Item
Identifier: CC-32184-33735
Scope and Contents
In the preface, Nicholas Serota and Lewis Biggs write that Susan Hiller "uses ephemeral, everyday objects, telling their stories and extracting new meanings from them, producing art which is both visually stimulating and emotionally compelling." This major exhibition of Hiller's works brings together several of her major works that require viewer participation, shifting from the whole of the art piece to its particular elements and back again to the whole. One of Hiller's major works was installed in MOMA in the exhibition, "The Museum as Muse," which the Sackners viewed in New York. In it, the artist used ordinary materials to evoke moments of cultural, historical and personal disturbance inspired by Sigmund Freud's last home. Her found elements were boxed, labelled and categorized and placed in a large vitrine. Hiller indicated that the boxes "present the viewer with a word (each is titled), a thing of object, and an image or text of chart, a representation. And the three aspects...
Dates:
1996