Scope and Contents

This poster depictsa b&w photograph of wall a onto which has been written graffeti. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Amazon.com: This book documents a short but intense artistic experiment that took place in Yugoslavia fifty years ago but has been influential far beyond that time and place: the "little-known story" of the advent of computers in art. It was through the activities of the New Tendencies movement, begun in Zagreb in 1961, and its supporting institution the Galerija suvremene umjetnosti that the "thinking machine" was adopted as an artistic tool and medium. Pursuing the idea of "art as visual research," the New Tendencies movement proceeded along a path that led from Concrete and Constructivist art, Op art, and Kinetic art to computer-generated graphics, film, and sculpture. With their exhibitions and conferences and the 1968 launch of the multilingual, groundbreaking magazine Bit International, the New Tendencies transformed Zagreb"”already one of the most vibrant artistic centers in Yugoslavia"”into an international meeting place where artists, engineers, and scientists from both...

Scope and Contents

This is a definitive catalogue of the wiener gruppe. A section toward the end of the book depicts artworks by the group to subsequent artworks done by the international art community suggesting their widespread influence. The original typings of two Achleitner's poetry suites are held by the Sackner Archive (one of o i studie typings depicted in this record).. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a definitive catalogue of the wiener gruppe. A section toward the end of the book depicts artworks by the group to subsequent artworks done by the international art community suggesting their widespread influence. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Amazon.com: Typemotion looks at a variety of artistic productions in which type is animated--from feature films and advertising to artworks and music videos--with examples from 20 countries dating from 1895 to the present. Tracing the transition from analogue to digital treatments of type, it provides insights into larger cultural and media developments, while also speculating on the future of animated type, particularly in the realm of interactive media. Among the extraordinary range of cross-disciplinary contributors to this volume are John Baldessari, Saul Bass, Stan Brakhage, Marcel Broodthaers, Dellbrugge & de Moll, Marcel Duchamp, Sergei Eisenstein, Expanded Gramophone Project, Hollis Frampton, Terry Gilliam, Jenny Holzer, Isidore Isou, Eduardo Kac, Ferdinand Kriwet, Fritz Lang, Maurice Lemaitre, Len Lye, David Lynch, Gaspar Noe, Tony Oursler, Phenomena, Dieter Roth, Gerhard Ruhm, Paul Sharits, Super Swap Sweden, Timm Ulrichs, Stan Vanderbeek, Johannes Vogt, Paul Wegener...