Lombardi, Daniele
Person
Found in 2 Collections and/or Records:
Spartito Preso: La Musica Da Vedere / Daniele Lombardi, curator ; Cage J ; Bussotti S ; Rousseau JJ ; Romano G ; Nichetti AM ; Girard GII ; Hellerman B ; Schaffer B ; Ori L ; Russolo L ; Mortari V ; Cowell HD ; Balla G ; Marinetti FT ; Schwitters K ; Cangiullo F ; Kagel M ; Stockhausen K ; Schnebel D ; Castaldi P ; Moran R ; Donatoni F ; Chiari G ; Wolff C ; Fulkerston J ; Artunes J ; Ligeti G ; Guaccero D ; Levine J ; Sciarrino S ; Szalonek W ; Ashley R ; Johnson T ; Young L ; Brecht G ; Simonetti G ; Maciunas G ; Kosugi T ; Cardew C ; Phillips T ; Marchetti W ; Higgins D ; Berio L ; Pousseur H ; Koenig CM ; Nono L ; Brun H ; Boulez P ; Grossi P ; Bouza A ; Xenakis J ; Ruhm G ; Isou I ; Lemaitre M ; Jandl E ; Heidsieck B ; Dufrene F ; Gysin B ; Schafer RM ; Nannucci M ; Mizelle J ; Strange A ; Pellegrino A ; Montague S ; Lucier A ; Bruynel T ; Gibson J ; Veronesi L ; Clementi A ; Manzoni G ; Nancarrow C ; Glass P ; Sciarrino S ; DeIncontrera C ; Restany P ; Maderna B ; Haubenstock-Ramati R., 1981
Item
Identifier: CC-53563-65898
Scope and Contents
This is the "Italian version" of John Cage's book on experimental music scores entitled "Notations." It is international in scope but features works by Italian composers and is complementary to "Notations." -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1981
To gather together n.10: a collective piano composition 1978-1981 / Lombardi, Daniele ; Castaldi P ; Ori L ; Brecht G ; Accame V ; Crozier R ; Kriwet F ; Bussotti S ; Patella L ; Ben ; Mayr A ; Cavellini GA ; Miccini E ; Kubisch C ; Heidsieck B ; Danon B ; Lucier A ; Ulrichs T ; Plessi F ; Armleder J ; Hayman R ; Chiari G ; Tilson Jo ; Nannucci M ; Higgins D ; Curran A ; Munari B ; Baruchello GF ; Giani-Luporini G ; Griffa G ; Banana A ; Veronesi L ; Parmiggiani C., 1982
Item
Identifier: CC-38599-40508
Scope and Contents
This is a collective score by 57 authors for a piano and slide performance. Each contributed a card; these cards are played without interruption, some performed if possible on the piano and others displayed in silence. In the introduction, Lombardi cites historic antecedents to such collaborations. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1982
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