Includes essays by Cesar Espinosa and Emily Hicks, and statements by Vincenzo Accame, Pierre Garnier and Max Bense. -- Source of annotation: Marvin or Ruth Sackner.

This is a digital version of the deluxe handcolored edition of the book published in 1986 (the Sackner Archive does not hold a copy of this version). -- Source of annotation: Marvin or Ruth Sackner.

This copy has a unique, recycled hard cover binding. -- Source of annotation: Marvin or Ruth Sackner.

This book was initially published by Ediciones Literarias de Factor, Mexico in 1987 and is a survey of Latin American Concrete and Visual Poetry. -- Source of annotation: Marvin or Ruth Sackner.

Polkinhorn provides an English translation of Menezes' "Poetica e Visualidad," that was first published in 1991. The latter is held by the Sackner Archive. Menezes provides a critical review of Brazilian concrete poetry and its evolution, e.g., visual poetry, semiotic poetry, poema-processo, photomontage poetry, etc. -- Source of annotation: Marvin or Ruth Sackner.

Padin writes an introduction concerning visual, concrete and alternative experimental poetry for the concrete poems that follow. Several of the original poems depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This issue reproduces Padin's letter poems from 1967-1970. The originals of these poems are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.