This exhibition was organized, designed and curated by Regina Vater. It included an excerpt written by Charles Perrrone taken from the exhibition "Brazilian Concrete & Visual Poetry from the Ruth and Marvin Sackner Archive that was hels at the University of Florida. -- Source of annotation: Marvin or Ruth Sackner.

This work is a collection of Silves' publications. It comprises the following: 1) introductory card, 2) Mail- Art Copy-Book Two 1990, 3) Testos Visualis exhibition announcement pamphlet, 4) folded broadside not dated, 5) performance announcement card "A Violencia Nossa de Cada Dia" 1999, 6) 50 Anos - portfolio of photocopied prints 1993, 7) newspaper article on Silves (2003); 8) a newspaper supplement pamphlet about Silves (2000), 9) 16 photocopied prints not dated, 12) 3 page photocopied critical text on poema processo 1967 - 2002, and 13) photocopied page of exhibition review of Silves works dated 2002INternet: Falves Silva (1943-) is one of the artists featured in OEI #66 Process/poem. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition included artist books in the following catagories: book object, book envelope, conceptual book, concrete book, process book, experimental book and photocopied book. There were no illustrations of the books in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This book deals with a critical analysis of selected Brazilian concrete, neo-concrete and semiotic poems. -- Source of annotation: Marvin or Ruth Sackner.

This magazine is one of the earliest to use semiotic signs for its poems. It was published by a group of Brazilian poets who wanted to be more avant garde than the current style of concrete poetry popularized by the Noigandres group. -- Source of annotation: Marvin or Ruth Sackner.

This copy has an additional 8 unbound pages (compared to other copy in Archive) by Nei Leandro De Castro regarding a semiotic poem for the third world. He states, "In terms of my encounter with these semiotic poems that consist of constructivistic-shaped ideograms & Portuguese translations, I read them with the same feelings as I do with Japanese visual poems that are presented to the West as Japanese ideograms and English translations." -- Source of annotation: Marvin or Ruth Sackner.

This anthology presents examples of visual and concrete poems by Brazilians who for the most part have not been in the main stream of internationally recognized Brazilian poets. -- Source of annotation: Marvin or Ruth Sackner.

This book documents development of concrete and visual poetry in Latin America with accentuation on semiotic poetry. -- Source of annotation: Marvin or Ruth Sackner.