This book is the last and most political of Jabes' books and is "his response to the increasing racism and intolerance he witnessed in France and elsewhere during his last years, and at the same time it continues his ongoing meditations on representation, language, and meaning." -- Source of annotation: Marvin or Ruth Sackner.

Edited by Peter Ganick. -- Source of annotation: Marvin or Ruth Sackner.

The dust jacket reproduces a collage by Jess. -- Source of annotation: Marvin or Ruth Sackner.

The poems in this book were composed by James Camp. In this first edition of the conceptual piece, the text of the poetry becomes progressively unreadable. -- Source of annotation: Marvin or Ruth Sackner.

Although published in 1991, several of the poems and essays in this issue have terrorist, Gulf war and suppression of civil liberties in Latin America themes that seem timely to the terrorist assult on the World Trade Center in NYC that happened (September 11, 2001) as this periodical is now being catalogued. In addition, Scott Montgomery contributed an insightful essay, "On the Banning of 'The Satanic Verses': Thoughts on the Politics of the Book." -- Source of annotation: Marvin or Ruth Sackner.

The stories were inspired by the box assemblages of Joseph Cornell. -- Source of annotation: Marvin or Ruth Sackner.

Waldrop presents an imagined relationship between Robert and Clara Schumann. -- Source of annotation: Marvin or Ruth Sackner.

This issue includes a short piece by William Powhida and a homage by several poets and critics to Nathaniel Tarn. -- Source of annotation: Marvin or Ruth Sackner.

Edited and designed by Alex Finlay. Translated from the German by Rosmarie Waldrop and illustrated by Wes Christensen. The periodical is wrapped in pages of a music score by Johannes Brahms. The text consists of fragments of a conversion among Clara Schumann, Schumann, and Brahms. -- Source of annotation: Marvin or Ruth Sackner.

Catalog lists writers from Gadd to Gysin. -- Source of annotation: Marvin or Ruth Sackner.

This exibition was held to honor Andrew Hoyem's visit to the University of Pennsylvania for the Library's Board of Overseers meeting. May Swenson's Iconographs and Rosemarie Waldrop's Camp Printing, donated to the Library by the Sackner Archive, were exhibited. -- Source of annotation: Marvin or Ruth Sackner.

Most of the works translated into English from the German are held in their original form by the Sackner Archive in the German Language. -- Source of annotation: Marvin or Ruth Sackner.

Most of the works translated into English from the German are held in their original form by the Sackner Archive in the German Language. -- Source of annotation: Marvin or Ruth Sackner.

Designed and printed by Rosemarie Waldrop. -- Source of annotation: Marvin or Ruth Sackner.