Bennett, Guy
Found in 4 Collections and/or Records:
Approach to the Desert Space / Nissabouri, Mostafa ; Guy Bennett, translator., 2001
Hourglass: The Rhythm of Traces / Sandri, Giovanna ; Guy Bennett, translator., 1998
The poet describes his work as visual/musical rhythms. The left pages are mostly composed of punctuation marks of varied type dimensions and the right pages are mostly poems with arrangements of words in clusters. Also designated Seeing Eye ooks Series II, Book 2. Some of the images in this book are also printed Sandri's "Capitolo Zero." a book also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Otis Books 2013 - 2014 / Bennett, Guy, Editor ; Palazzeschi A ; Vangelisti P ; Phillips D ; Xerra W ; Bennett G ; DiPalma R ; Espitallier JM ; Phillips D ; Porta A ; Sarduy S ; Spatola A ; Wolf A., 2014
Toward Total Poetry [English Translation of Verso la Poesia Totale 2nd edition 1978] / Spatola, Adriano ; Bandon W. Hennessey, translator ; Guy Bennett, translator ; Kolar J ; Ulrichs T ; Bense M ; Matti L ; Garnier P ; Finlay IH ; Carroll L ; Rabelais ; Fernbach-Flarscheim C ; Mayer H ; Chopin H ; Belloli C ; Ruhm G ; Kriwet F ; Bory JF ; Gerz J ; Azeredo R ; Jandl E ; Williams E ; Grunewald JL ; Gomringer E ; Morgenstern C ; Lora-Totino A ; Solt ME ; Ray M ; Mon F ; Villa E ; Balestrini N ; Hirsal J ; Grogerova B ; DeCampos H ; Spatola A ; Zagoricnik F ; Novak L ; Valoch J ; Marcucci L ; Niikuni S ; cummings ee., 2008
Book Depository WEB 2014: "This is an extensive primer to modern poetics, focusing especially on the Concrete poets. The problem is not only to transform poetry into something new compared to poetic tradition, but above all that through this transformation poetry becomes a total art. New experimental poetry is no longer exclusively interpretable as a force modifying the usual instruments of poetic creation, or as the necessity of overcoming national linguistic barriers to an explicitly international poetry. Today it seeks to become a total medium, to escape all limitations to include theater, photography, music, painting, typography, cinematographic techniques, and every other aspect of culture, in a utopian ambition to return to origins - from the back." -- Source of annotation: Marvin or Ruth Sackner.