This is the 2nd edition published first as Curvd H&Z No.7 that is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #34. A second edition of this poem ws published by Underwhich Editions in 1985. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #48. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #17. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #3. -- Source of annotation: Marvin or Ruth Sackner.

This is the 2nd printing of poem first published as Curvd H&Z No.26. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #24. -- Source of annotation: Marvin or Ruth Sackner.

This is a the second edition of the poem which is a replacement for the destroyed first edition that should have been released in 1983. There is also a copy with a collaged label in curry's assembling, The Pataphysica Hardware Company. In the Room 3o2 10D 2007 catalogue, curry mentions that all but 11 copies were destroyed. -- Source of annotation: Marvin or Ruth Sackner.

Cover designed by Greg Andley. -- Source of annotation: Marvin or Ruth Sackner.

This anthology Includes reprints of a selection of curry's publishing activities focusing on his rubberstampings of minimalistic and concrete poems of his own and his circle of poets. Dean comments: this making precious of the single poem was the result of necessity as much as esthetic deliberation; curry published within a finite small budget. This could have caused poor-quality production, i.e. Gestetner, offset or xerox. Instead it resulted in hand-stamp, hand-set rubber type, as his chosen (& unique) means of publication. His scaled down book remained both anarchic and typographically refined. -- Source of annotation: Marvin or Ruth Sackner.