Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue defines, describes and illustrates, in an experiment graphic designed layout, mass produced editions of artists' books from the 1970's to the 1990's. This book is complementary to Johanna Drucker's book, "The Century of Artists' Books that dealt with unique and small editioned books. In an in-depth essay, Clive Phillpot analyzes the entire spectrum, including magazines, assemblings, manifestos, visual poetry, scores, documentation, sketchbooks, albums, graphic works, comic books, illustrated books, page art, mail art and bookworks. Martha Wilson is interviewed by Thomas Padon about the Franklin Furnace Archive. -- Source of annotation: Marvin or Ruth Sackner.

Contains statement by the artists on the definition of an Artist Book. This catalogue provides documentation of the artist's activities often accompanied by photographic reproductions. The quirky binding of this book, which in itself might be classified as an artist's book, make access to the pages difficult and time-consuming and therefore not a easily readable reference text. -- Source of annotation: Marvin or Ruth Sackner.

There is a brief essay by D. Fendrick about the book as a work of art. "Boite-en-Valise" and "The Large Glass and Related Works" by M. Duchamp that are mentioned and reproduced in this catalogue are held by the Sackner Archive as is Lucas Samaras' "Book." The loose sheet is a price list. -- Source of annotation: Marvin or Ruth Sackner.

Features a brief essay on books as works of art by D. Fendrick. "Foirades/Fizzles" by J. Johns and S. Beckett, which is mentioned, is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This issue is dedicated to "areas of art that openly disregard boundaries and deal quite explicitly with contaminations - of painting and sign, of sign and sound, of sculpture and installation, of space and event. The themes of sound and silence - which typically relate to music - rank now as one of the central concerns of contemporary research in the arts. This issue is extensively illustrated with works of the featured artist/poets, e.g., a suite of calligraphic drawings by Guillot and visual poetic collages by Miccini. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue features documents of the avant-garde. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was drawn from the Archive of Paolo Della Grazia. -- Source of annotation: Marvin or Ruth Sackner.

This is a listing of works with prices. -- Source of annotation: Marvin or Ruth Sackner.

Perneczky bound 24 books with colored ribbons based on fractal theory. He chose the number 24 as an homage to J.S. Bach's "Well Tempered Clavichord." -- Source of annotation: Marvin or Ruth Sackner.

Edited by Judith Hoffberg. This issue profiles Coach House Press through interviews with Stan Bevington and Coracle Press with Simon Cutts. The exhibition, "Lettrisme: Into the Present," at University of Iowa Museum is mentioned. Most of the works were lent by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.