The images have been taken from prior publications, e.g., most from the early eighties as indicated by dates on the verso of the prints. -- Source of annotation: Marvin or Ruth Sackner.

The cover drawing was done by Regina Vater. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was organized, designed and curated by Regina Vater. It included an excerpt written by Charles Perrrone taken from the exhibition "Brazilian Concrete & Visual Poetry from the Ruth and Marvin Sackner Archive that was hels at the University of Florida. -- Source of annotation: Marvin or Ruth Sackner.

The work consists of two large painted letters, "A" & "T." The third Letter, an "F" can be converted to an "E" by adding a fourth piece, a bar to the "F." In that way, the sculpture can be read as EAT or FAT. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition commemorated ten years of Poem/Processes a group in Brazil who employed semiotic poetry. -- Source of annotation: Marvin or Ruth Sackner.

The poem is silkscreened onto a nylon gauze fabric in the outline of a triangle. -- Source of annotation: Marvin or Ruth Sackner.

This issue was edited by Michael Durgen & Bobbie Lippman. L. Robin Rice contributed an essay on the paper sculptural works of Lillian Bell, Lesley Dill, Jeanne Jaffe, and Regina Vater. -- Source of annotation: Marvin or Ruth Sackner.

Based on a poem by Augusto DeCampos, Vater writes that the label is her participation in the ecological summit in Rio. -- Source of annotation: Marvin or Ruth Sackner.

This poem object was designed by Regina Vater and Cezar Augusto. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Avelino De Araujo, Bianor Paulino, Falves Silva, and J. Medeiros. -- Source of annotation: Marvin or Ruth Sackner.

The handwritten message from the artist beneath the typing states, " Project for installation with banner." -- Source of annotation: Marvin or Ruth Sackner.

This catalogue considers six Orisa-Saints of black culture eminating from Brazil and Cuba. Miralda recreates a black cosmology of food, flags, environments, music and maps in installations refecting that culture. -- Source of annotation: Marvin or Ruth Sackner.

Each page depicts photocopied ancient images of snakes with captions supplied by Vater; the book documents a museum installation. -- Source of annotation: Marvin or Ruth Sackner.