Scope and Contents

This collaboration consisted of reproductions of layers of text, handwriting, gauze and block letters printed on green paper. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition was curated by Guy Bleus. This catalogue includes an introductory essay by Guy Bleus with definitions of the artist book. It also includes brief statements by several artists on the artist book, viz., Fernando Agiuar, Albrecht d., Carl Andre, Mirella Bentivoglio, Piermario Ciani, Robin Crozier, Guillermo Deisler, Goivanni Fontana, H.R. Fricker, John Held, Jr., Judith Hoffberg, Joel Hubaut, Ray Johnson, Ruggero Maggi, Robert C. Morgan, Geza Perneczky, Gunther Ruch, Serge Segay, Chuclk Welch, and Rea Nikonova. Several works depicted in the catalogue are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The catalogue lists the holdings of the mail art library of Lois Klassen with a classification system of this genre. The card is handwritten from Patricia Collins to Marvin Sackner who sent the book to him as an "exhibition catalogue that might be of interest." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This edition contains original works by international poets-artists. Includes an artist book containing rebuses by Dencker; the galley proof of this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents In the introduction, Bennett writes that his text in this book is a transduction of the original Spanish. "A transduction is a process involving homophonic translation and other associative maneuvers to create a new text whose aim is to bring to light one of the innumerable sub-texts that surround any linguistic artifact." The font used for John M Bennett's transduction is Johnee's Scrawlphabet, created from Bennett's own calligraphy by James Wiese.Oak Knoll Books: "The book was created to celebrate the 400th anniversary of the publication of the First Part of El Ingenioso Hidalgo Don Quixote de al Mancha in 1605. The passages in this book are taken from the following two edition of Don Quixote, Part II, Chapter 44 - one printed in Brussels in 1662, and an English translation generally attributed to Thomas Shelton printed in 1620. The original transduction is by Bennet who is the Curator of the Avant Writing Collection at The Ohio State University Rare Books and Manuscripts...

Scope and Contents In the introduction, Bennett writes that his text in this book is a transduction of the original Spanish. "A transduction is a process involving homophonic translation and other associative maneuvers to create a new text whose aim is to bring to light one of the innumerable sub-texts that surround any linguistic artifact." The font used for John M Bennett's transduction is Johnee's Scrawlphabet, created from Bennett's own calligraphy by James Wiese.Oak Knoll Books "The book was created to celebrate the 400th anniversary of the publication of the First Part of El Ingenioso Hidalgo Don Quixote de al Mancha in 1605. The passages in this book are taken from the following two edition of Don Quixote, Part II, Chapter 44 - one printed in Brussels in 1662, and an English translation generally attributed to Thomas Shelton printed in 1620. The original transduction is by Bennet who is the Curator of the Avant Writing Collection at The Ohio State University Rare Books and Manuscripts Library....

Scope and Contents

A photograph of the book by Elisabeth Broel, "Auf der Reise," that is reproduced in this catalogue is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.