The editor of this volume, Jean-Francois Bory, provides an introductory essay on the artist and cartoonist Jean-Louis Forain. -- Source of annotation: Marvin or Ruth Sackner.

Complex number and sign schemes are printed on each page. This issue was edited by Brian Lane and Trevor Wells. Designated No.117 in bibliography of book entitled "The Printed Performance Brian Lane Works 1966-99." -- Source of annotation: Marvin or Ruth Sackner.

Inscribed to Something Else Press. Bory has added in ink "Hiroshima +" to title on cover page. The print, "Spot"by Bory that is reproduced in book is held by the Sackner Archive. Edited by Brian Lane and Trevor Wells and is designated No.112 in bibliography of book entitled "The Printed Performance Brian Lane Works 1966-99." -- Source of annotation: Marvin or Ruth Sackner.

The pages deal with minimalist semiotic experiments with punctuation signs and spots. The presentation resembles the one expressed by Julien Blaine's "Essai sur la Ponctuation" in "Signal No. 4." Edited by Brian Lane and Trevor Wells. Designated No.116 in bibliography of book entitled "The Printed Performance Brian Lane Works 1966-99." -- Source of annotation: Marvin or Ruth Sackner.

Each line of J. Bory's poem refers to an artist by name and makes reference to a major attribute or aspect of his art. -- Source of annotation: Marvin or Ruth Sackner.

The disc consists of readings by Bory and Luca. -- Source of annotation: Marvin or Ruth Sackner.

The disc consists of readings by Bory and Luca. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue has served as a reference to the Sackner Archive for pricing a large number of Finlay's and Cobbing's concrete and visual poetic works as well as several other poets' works. -- Source of annotation: Marvin or Ruth Sackner.

The first third of the book consists of abstract sculptural works of Gribaudo accompanied by texts by are critics on the facing pages. This is followed by a concrete poetry section curated by Adriano Spatola that has concrete poems on the left facing page and works of Grigaudo on the right facing pages. Some of the poems relate in layout to the sculptural works, others do not. Most poems were composed with typing or letraset. -- Source of annotation: Marvin or Ruth Sackner.

Features book length interview between J. Bory and J. Donguy. -- Source of annotation: Marvin or Ruth Sackner.

This poster was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.