Includes folded posters, Jochen Gerz, Blatt-Nr.1: Untitled and Julien Blaine, Blatt-Nr.4. The poster by Gerz is included in Agentzia 2 but is catalogued separately. -- Source of annotation: Marvin or Ruth Sackner.

Manuel de Seabra provides a brief classification list for this book: performance poetry, concrete poetry, sound poetry, mechanical poetry, and visual poetry. A section of this book deals with Coca Cola visual poems. -- Source of annotation: Marvin or Ruth Sackner.

Includes a photocopy of Mallarme's Un Coup de Des (1914), -- Source of annotation: Marvin or Ruth Sackner.

Leiber's catalogues show a consistent, innovative design. This issue with alphabetical notebook tabs sponsored by Rose Holtz, references several offerings to the Sackner Archive Catalog of 1986. -- Source of annotation: Marvin or Ruth Sackner.

There is a section of this book that consists of visual and concrete poems that are reproduced as photocopied black and white images. -- Source of annotation: Marvin or Ruth Sackner.

This is a catalogue of works being sold by an Italian collector, Mauro Corinaldi in Milan, whom the Sackners know. -- Source of annotation: Marvin or Ruth Sackner.

Includes essays by Cesar Espinosa and Emily Hicks, and statements by Vincenzo Accame, Pierre Garnier and Max Bense. -- Source of annotation: Marvin or Ruth Sackner.

Takako Hasekura contributed an essay in which she defined visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

The title "Looping" refers to a pilot in a stunt airplane performing a loop maneuver. Each page depicts a visual poetic image of the event but on the final page, the airplane crashes. -- Source of annotation: Marvin or Ruth Sackner.

In the letter collaged to the front cover, Bory expresses his disappointment that the Sackner archive did not acquire his recent manuscript from Gallery Jacques Donguy. Bory writes that in the future "Europa will be an hell and i would like to save my creative work in the New World. Am I wrong?" Touched by the tone of this message, the Sackners subsequently purchased copy A and the manuscript for this book. The latter is stored in the Archive of this publication. -- Source of annotation: Marvin or Ruth Sackner.

The cover depicts a rotopoem by Kriwet. -- Source of annotation: Marvin or Ruth Sackner.

Inscribed to Something Else Press. Bory has added in ink "Hiroshima +" to title on cover page. The print, "Spot"by Bory that is reproduced in book is held by the Sackner Archive. Edited by Brian Lane and Trevor Wells and is designated No.112 in bibliography of book entitled "The Printed Performance Brian Lane Works 1966-99." -- Source of annotation: Marvin or Ruth Sackner.

This card depicts an artist altered piano commisioned by Francisco Conz. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue consists of French art/poetry lent by the Sackner Archive to a Bass museum exhibition on Miami Beach. -- Source of annotation: Marvin or Ruth Sackner.

This portfolio depicts one work from each of the members of the group. The contribution of Paul de Vree was original but posthumous. One drawing is unsigned and might have been done by Blaine. The painting by Verdi is abstract in imagery. -- Source of annotation: Marvin or Ruth Sackner.