Henri Chopin curated the exhibition and wrote an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue documents each issue of De Tafelronde and reproduces exemplary visual/verbal poems from the publications. An index of contributors is provided. This book is stored with the periodical of the same name. -- Source of annotation: Marvin or Ruth Sackner.

Auction catalog. The Sackner Archive purchased a portfolio of 10 etchings by Ossip Zadkine of Calligrams by Guillaume Apollinaire from this auction. -- Source of annotation: Marvin or Ruth Sackner.

The texts on each page concern the T.V.A. common tax proposed in several European countries and the social problems arising on" luxembourgeois, celtes, germaisnes, anglo-saxons, latins...un peu scandinaves." -- Source of annotation: Marvin or Ruth Sackner.

This extensive collection of concrete, visual and picture poetry was offered as a collection, not of individual items. -- Source of annotation: Marvin or Ruth Sackner.

This book deals with aspects of concrete poetry paying debt to Cobbing and other pioneers. Chris Jones' essay provides several definitions of concrete poetry, stating that "it is helpful to think of concrete poetry as being an umbrella term for those processes...who share a concern with text (words, letters, phonemes, signs) as their material." -- Source of annotation: Marvin or Ruth Sackner.

This print is dedicated to Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.

This is the original of a typing which appears in Chopin's book, "Le Dernier Roman du Monde." It consists of four letter words of two identical syllables such as papa, nana, caca, gaga, etc. with the vowel 'a.' -- Source of annotation: Marvin or Ruth Sackner.

This is Upton's account of sound poetry compositions made at Fylkingen Stockholm and presented at the National Poetry Centre in August 1972. -- Source of annotation: Marvin or Ruth Sackner.

This book covers the years 1958 to 1974, a quarter century of avant garde work in Revue Cinquieme Saison and Revue Ou. -- Source of annotation: Marvin or Ruth Sackner.

This issue covers the years 1958 to 1974, a quarter century of avant garde work in Revue Cinquieme Saison and Revue Ou. -- Source of annotation: Marvin or Ruth Sackner.

Chopin mentions the death of his wife, Jean in 1985 "when everything stopped." Also, he adds a visit to Miami in 1985 (gave a performance at the Sackners that is not cited in the book. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Chopin box. Amazon.com: Since the 1960s, conceptual artists Henri Chopin (Pairs-London), Guy de Cointet (Paris-Los Angeles) and Channa Horwitz (Los Angeles) have dedicated themselves to analyzing system deducing the rules and consolidating them into visible structures. This book accompanied the parallel where drawings by these three respected artists generate new meaning as the aesthetic-visual translation of early post-structuralist thought. A Void, taken from George Perec's experimental novel, which famously did not include the letter 'e' as a nod to language epistemological constraints. Riffing on this idea, the artists' works seem clearly embroiled in such systems of meaning-making. Horwitz's on the boundary of symbol and performance, while Chopin explored the line between chaos and order. de Cointet left behind an oeuvre characterized by codes and puzzles for future generations. -- Source of annotation: Marvin or Ruth Sackner.

Jorgr Orta did the silkscreen prints after the maquettes by Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.