This is the seventh book of the collection Contre Vers. -- Source of annotation: Marvin or Ruth Sackner.

This book is an homage to Francesco Conz. The editors are Hannah Stegmayer and Toni Stegmayer. The book presents photographs of fetish items in the Conz archive in addition to the rooms and shelves filled with other archival material including artist rendered pianos. Several fetish objects are displayed by Elisabeth Wahl, a curator of the Archivio Conz (pages 86-114). -- Source of annotation: Marvin or Ruth Sackner.

These collages were made from artists/poets' correspondence to Llys Dana. They are captioned from cut newsprint letters. -- Source of annotation: Marvin or Ruth Sackner.

Reprinted from Stereo Headphones No.5, 1972. The authors debunk the assertion of Stuart Mills who in Akros No.18, 1972 stated that the poem-poster was introduced by Ian-Hamilton Finlay. They go on to further describe the pioneers of Concrete Poetry in their opinion. Rebuttals to their conclusions by Stephan Bann and Henri Chopin are also published. Mentions that Ernest Fenellosa, who died in 1908, used the term 'concrete poetry' in an essay, 'The Chinese Character as a Medium for Poetry' in 1901. -- Source of annotation: Marvin or Ruth Sackner.

Contains a short biography of Chopin and reproductions of five typewriter works. -- Source of annotation: Marvin or Ruth Sackner.

One of the loose sheets documents the method that Chopin utilizes to perform th esound poems. Thei tape is allso designated No.9 in the series. -- Source of annotation: Marvin or Ruth Sackner.

An ampersand is depicted in the middle of each of 40 stamps that are surrounded by repetitive typed characters. The name H. Chopin in miniscule letters is printed at the right lower corner of each stamp. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue provides a bibliographic listing of books, records, and postcards from the contemporary small press scene. Brief comments on this aspect of verbal/visual art are offered by the contributors. -- Source of annotation: Marvin or Ruth Sackner.

Kostelanetz defines 'Text-sound' to mean "language unspecific in pitch, which coheres in terms of sound, rather than syntex or semantics." This book consists of scores, manifestos, self-interviews, scripts, performance instructions, critical essays, and theoretical remarks. In Walter Abish's three page story, "Auctioning Australia," all the words begin with the letter 'a.' Kenneth King's "Word Raid" consists of seven pages of tongue twisters. The dust jacket depicts a sound poem by Bliem Kern. -- Source of annotation: Marvin or Ruth Sackner.

Kostelanetz defines 'Text-sound' to mean "language unspecific in pitch, which coheres in terms of sound, rather than syntex or semantics." This book consists of scores, manifestos, self-interviews, scripts, performance instructions, critical essays, and theoretical remarks. In Walter Abish's three page story, "Auctioning Australia," all the words begin with the letter 'a.' Kenneth King's "Word Raid" consists of seven pages of tongue twisters. The cover depicts a sound poem by Bliem Kern. -- Source of annotation: Marvin or Ruth Sackner.

This is the text that accompanies Typewriter Poems: 1984. -- Source of annotation: Marvin or Ruth Sackner.

The French edition was published by Review OU in 1966. -- Source of annotation: Marvin or Ruth Sackner.

From his personal collection, Celant mounted an exhibition of record covers as artworks that also featured sound poetry. He includes a definitive discography from 1927-1977 and a listing of record producers. -- Source of annotation: Marvin or Ruth Sackner.