The dedication reads, "to Marvin Sackner - The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry MIAMI USA - whose colossal collection, stockpiled over many obsessive years guarantees that this form of poetry beloved of many dedicated exponents world-wide will in all good time become visible." The first page provides Claire's definition of concrete poetry repeated 4 1/2 times on the page. Each subsequent page was created by overprinting through altering the position of the page in the ink jet printer. -- Source of annotation: Marvin or Ruth Sackner.

The poem is by Claire (composed in 1981) and the calligraphy by Spencer. Isabelle Spencer (1924-2011) was a teacher in the British school system and a calligrapher. The other copy of this book is owned by Paula Claire. The poem is in the poetic style of naming ships by Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

The poem is by Claire (composed in 1981) and the calligraphy by Spencer. Isabelle Spencer (1924-2011) was a teacher in the British school system and a calligrapher. The other copy of this book is owned by Paula Claire. The poem is in the poetic style of naming ships by Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

This work was featured in an exhibition curated by Fernando Aguiar, "Imaginaros Da Ruptura = Poeticas Visualis" held in Douro e Vale do Coa, Portugal. The surfaces of the prints in this book are on glossy paper. -- Source of annotation: Marvin or Ruth Sackner.

The poem is by Claire (composed in 1981) and the calligraphy by Spencer. Isabelle Spencer (1924-2011) was a teacher in the British school system and a calligrapher. The other copy of this book is owned by Paula Claire. The poem is in the poetic style of naming ships by Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.