Exhibited in Visualog 2, San Luis Obispu, California, an exhibition curated by Karl Kempton. The images depict an ornamental architectural column with furrows that appear to be calligraphic markings. -- Source of annotation: Marvin or Ruth Sackner.

Designated Folders # 19. Images are taken from woodknots of pine. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.3. The poem, "Soundings" is a communal performance piece which celebrates medieval myths and legends. Four mandalas on unbound pages contain names of several concrete and visual poets along with examples of fragments of their works. -- Source of annotation: Marvin or Ruth Sackner.

Designated Folders #12. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA #5. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA #5. -- Source of annotation: Marvin or Ruth Sackner.

This work was featured in an exhibition curated by Fernando Aguiar, "Imaginaros Da Ruptura = Poeticas Visualis" held in Douro e Vale do Coa, Portugal. The surfaces of the prints in this book are on glossy paper. -- Source of annotation: Marvin or Ruth Sackner.

Designated ICPA Publication No.2. Consists of an illustrated lecture for The Leading Edge Music Series, Texas Tech University, Lubbock, Texas. -- Source of annotation: Marvin or Ruth Sackner.

The poem is by Claire (composed in 1981) and the calligraphy by Spencer. Isabelle Spencer (1924-2011) was a teacher in the British school system and a calligrapher. The other copy of this book is owned by Paula Claire. The poem is in the poetic style of naming ships by Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

This collection was placed on indefinite loan to the Library of Rewley House, Oxford University Department for External Studies. Each citation carries a brief annotation. The collection includes catalogues from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.