Scope and Contents

This book represents a performance copy of "Spearhead" (2nd & 3rd editions held by Sackner Archive) onto which is added written and typed notes. There are five performances of "Ana." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive holds the original photocopies of Spencer Selby's and Paula Claire's visual poems published in this issue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue commemorates the tenth year of Writers Forum and its 100th publication. It is listed under Writers Forum 100 and stored in the Cobbing box and appraised there. Many poems were written especially for this issue. It is also designated Writers Forum fours number four. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue commemorates the tenth year of Writers Forum and its 100th publication. Many new poems were written especially for this issue. This book is also designated Writers Forum fours number four. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue commemorates the tenth year of Writers Forum and its 100th publication. This copy has been signed by all contributors. Many poems were written especially for this issue. Also, designated Writers Forum fours number four. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This issue includes a Glyn Pursglove's essay, "An Introduction to Concrete Poetry." He states "The phrase 'Concrete Poetry' is bandied about a great deal in a way which seems to suggest that all those to whom it is applied are part of a conscious, united movement, and that they are artists whose work is dictated by a set of common and explicit principles. As anyone with any understanding of artistic 'movements' will readily imagine, this is a superficial and misleading idea. Certainly there have been plenty of explicit statements by some of the poets involved but these have, naturally, attracted as many opponents as supporters. One of the most important of such statements was 'POSITION 1 of International (Movement) for Spatial Poetries" organised by, among others, Pierre Gamier. This was not quite a manifesto, in the sense of a document proclaiming plans for the future, but rather a formalisation of a situation. Gamier was fully conscious of the difficulties, and his closing words...

Scope and Contents

This work was published as a triptych of prints in 1964 and then as broadsides in Eyearun in 1966. Cobbing stated on title page that first publication was 1966 but the Sackner Archive holds the prints published in 1964. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

All the words in this poem begin with the letter "b." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cobbing created repeticious text variations on the title "Beethoven Today" by forming poems in either a circular or quadrangular arrangement. The pages have yellow and orange color -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Cobbing created tautologic variations on the title "Beethoven Today" by forming poems in either a circular or quadrangular arrangement. Al the pages are printed on white paper stock. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is an anthology of Cobbing's works textural and abstract xerox works. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

First published on the occasion of Bob Cobbing's retrospective exhibition held at the Sunderland Arts Centre in 1974 as Ceolfrith No.26. -- Source of annotation: Marvin or Ruth Sackner.