Cobbing discusses the early concrete poems of Ian Hamilton Finlay, John Furnival, Kenelm Cox, Dom Sylvester Houedard, and Tom Edmonds in depth. This essay is unbpubished. -- Source of annotation: Marvin or Ruth Sackner.

In their introductory essay, "A Fair Field Full of Folk," the editors write about Bob Cobbing as follows: "Cobbing, a resourceful and tireless arts and workshop organizer and publisher, established his radical press Writers Forum in 1954, in 1963 putting its output on a more established and consistent footing, producing cheap mimeographed pamphlets of experimental writing and concrete poetry with great persistence. In his own work he was developing the fusion of visual and aural performance elements that make him a consistent force within British poetry. His re-defining of the nature of the 'text' - as shown by work in this anthology - remains extreme and radical today." -- Source of annotation: Marvin or Ruth Sackner.

The project was coordinated by Nicolas Zurbrugg, and edited and produced by Emanuele Carcano. It includes all the sound poems on CD's that were originally recorded in OU on 45 rpm records plus five additional recordings that were done later in other publications. The two pamphlets are duplicates. The soft cover book includes Chopin's comments about each issue, Chopin's autobiography, and statements from other artists/poets about his sound poems. Tom Phillips' work is the score of the opera "Irma." One of the compact discs includes recordings of his phonetic poems, "Kansas City Numero Collage." The drawing for this poem is held by the Sackner Archive. It is stored on a shelf near Revue Ou. -- Source of annotation: Marvin or Ruth Sackner.

This is the last book made on Cobbing's original photocopying machine. It broke down in 1996 and was replaced. The replacement was funded by the Sackners who received a few of Cobbing's concrete poetry wall works in exchange for the money. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing called the photocopied print process "monoduplicator prints." -- Source of annotation: Marvin or Ruth Sackner.

Reprinted from a work entitled, Aphabetroyal 1966. -- Source of annotation: Marvin or Ruth Sackner.

All the images on the outside covers of these greeting cards are abstract. -- Source of annotation: Marvin or Ruth Sackner.

The press profile for this issue was Paul Green's Spectacular Diseases. The mission of Underwhich Editions is described. -- Source of annotation: Marvin or Ruth Sackner.

The cover of this issue was designed by David Barton. The latter also contributes an essay about his work and a bibliography. -- Source of annotation: Marvin or Ruth Sackner.

The cover of this issue was designed by Colin Simms (falsely attributed to Herbert Burke and corrected in No.13). -- Source of annotation: Marvin or Ruth Sackner.

The cover of this issue was designed by Gary Loose. -- Source of annotation: Marvin or Ruth Sackner.

The cover of this issue was designed by Madeleine Parker. -- Source of annotation: Marvin or Ruth Sackner.

The cover of this issue was taken from a design by David Sellars. -- Source of annotation: Marvin or Ruth Sackner.