This limited addition multiple was made in commemoration of the 20 years that had elapsed since de Charmoy had exhibited in this gallery (an anouncement of the 1976 exhibition is held by the Sackner Archive). It consisted of a bread roll onto which was applied an icing reading, 1976/1996 HC2. -- Source of annotation: Marvin or Ruth Sackner.

The title is stamped in capital letters on the top of the work and a collaged image of a blue mechanism with the face of a dog-like appearance is on the lower half. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a large almost round, unidentifiable mass of densely pack words and letters, numbers and marks written in varied styles. A hanging abstract figure is placed adjacent to this mass. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts five amorphous shapes filled with dense black abstract markings. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts two architecturally-like shapes that have dense abstract markings, line drawn faces and clocks. -- Source of annotation: Marvin or Ruth Sackner.

The title originates from the metal case which was contained anti-blistering medication for soldiers in the Swiss army. -- Source of annotation: Marvin or Ruth Sackner.

The title originates from the metal case which was contained anti-blistering medication for soldiers in the Swiss army. -- Source of annotation: Marvin or Ruth Sackner.

The text was first written by de Charmoy in English. A French translation by Daniele Devitre was published in RESSAC No.2 Geneva 1981. Illustrations of hands accompany the non-fictional text. -- Source of annotation: Marvin or Ruth Sackner.

This is the supplement to No.194. Jean Cortot's exhibition in Aragon de Choisy-le-Roi and Cozette de Charmoy's poetic installation in Nimes are reviewed. -- Source of annotation: Marvin or Ruth Sackner.

This work dealing with a rubberstamped list of objects that might be found on a battlefield was later made as a print (1995) that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The text is printed in black stenciled letters like a page but without punctuation. The language creates a visual image of the detrius of war. -- Source of annotation: Marvin or Ruth Sackner.

This is a section cut from a larger damaged painting. -- Source of annotation: Marvin or Ruth Sackner.

This is a greeting card for the year 1999. -- Source of annotation: Marvin or Ruth Sackner.

This book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.