This is a reprint of an article on the contemporaneous state of concrete poetry in the UK. -- Source of annotation: Marvin or Ruth Sackner.

A page from a periodical dealing with a political issue in Wales is cut jaggedly down the center. The printed black name, Wales, is repeated in its opening with progressive enlargement of the typeface dimensions. The uppermost "Wales" is printed in red, large capital letters. On the verso, the caption, "subscribe to Second Aeon" is printed in handwritten black letters. -- Source of annotation: Marvin or Ruth Sackner.

Inscribed by Bob Cobbing as 1st copy. Page 1 has been stapled upside down. -- Source of annotation: Marvin or Ruth Sackner.

This American edition was copyrighted by Something Else Press and most of the run was destroyed by Dick Higgins because he had not been informed that the anthology was entirely British. -- Source of annotation: Marvin or Ruth Sackner.

This U.K. edition was copyrighted by Second Aeon Publications. -- Source of annotation: Marvin or Ruth Sackner.

Aslo designated postcard compositions No.12. Phillips writes to Finch about his request by Finch to show in Cardiff and about producing a long poem. Phillips recommends Roy Fisher for the poem. -- Source of annotation: Marvin or Ruth Sackner.

This is the second printing of this pamphlet that was first published in July 1968 and reprinted in December 1968. Several of the poems deal with the topic of death. -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated Aquila Pamphlet Poetry Six. -- Source of annotation: Marvin or Ruth Sackner.

This book is also designated as Aquila Pamphlet Poetry Six. The cover illustration of a letter picture formed with o's was done by Finch. -- Source of annotation: Marvin or Ruth Sackner.

Trade edition of this print, which is also held by the Sackner Archive, was published by Writers Forum (Bob Cobbing). -- Source of annotation: Marvin or Ruth Sackner.