This is the exhibition catalogue of British and Portuguese concrete poetry and related work held from August to September, 1968. Each book including this one contains an original typing by Cavan McCarthy. -- Source of annotation: Marvin or Ruth Sackner.

This letter is addressed such that each letter of the uppercase title is formed by multiple lowercase letters of same letter.The pages have binder holes. -- Source of annotation: Marvin or Ruth Sackner.

This poem with consists of repititions of "po po po. Its significance is unclear. -- Source of annotation: Marvin or Ruth Sackner.

For the most part, each page depicts a single printed reproduction of a typewriter or typeset poem by the author. -- Source of annotation: Marvin or Ruth Sackner.

For the most part, each page depicts a single printed reproduction of a typewriter or typeset poem by the author. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition was curated by John Furnival and Dom Sylvester Houedard. The latter wrote an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomasticens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomasticens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomastikens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." This may have been part of a letter to Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomastikens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomastikens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." Houedard has drawn three designs for the mongram IHF in the lower left corner. This page appears to be the second page ot a typewrite rpoem with the saame title and identified by RKS & MAS as 2.3. It is signed luv silvester formed by an assay of dense, typed dashes. This may have been part of a letter to Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Three typed blocks of letters are typed to using the letters a-h-m-l-t-n-f-n-l-y and i-a-a-i-e-i-a.The verso has the phrase work sleeves written in graphite and nicholas & Fiona [Logsdale] written in green ink. -- Source of annotation: Marvin or Ruth Sackner.

The letter is addressed to chas dear.The first paragraph urges Cameron to get DSH his proper Olivetti because "it is DESPARATE to use this fucking twr i just cant FEEL it...bring me SPARE OLIVETTI to use instead of this GHASTLY olympia that isn't MADE for typestracting ==you must TELL them who i mean how my LIFE is spent glorifying their mechanisms." -- Source of annotation: Marvin or Ruth Sackner.

The body of this letter deals with making an introduction to John Furnival and dropping names of concrete poets prominent on the international scene. The left margin has several concrete poems by Houedard typed in black ink. Houedard typed his name at the bottom of the letter by forming each letter by overtyping the letter 'e'. -- Source of annotation: Marvin or Ruth Sackner.

This was Included in the Grant U. Roman Archive. According to a note at the bottom, this poem was composed "after Eugen Gomringer's 'ping pong.'" Wikipedia: Robert Pinget (Geneva, July 19, 1919 "“ Tours, August 25, 1997) was a major avant-garde French writer, born in Switzerland, who wrote several novels and other prose pieces that drew comparison to Beckett and other major Modernist writers. He was also associated with the nouveau roman movement. Francis Jean Gaston Alfred Ponge (27 March 1899 "“ 6 August 1988) was a French essayist and poet. Influenced by surrealism, he developed a form of prose poem, minutely examining everyday objects. He was the inaugural recipient of the Neustadt International Prize for Literature in 1974. P.O.T.H. 16 includes a poem by Ponge. -- Source of annotation: Marvin or Ruth Sackner.

This poem was included in the Grant U. Roman Archive. The title translates in English to 'cry or weep.' This poem also is depicted in a red color in Finlay's book 'Telegrams From My Windmill.' -- Source of annotation: Marvin or Ruth Sackner.

Included in the Grant U. Roman Archive. This poem is depicted on page 1 of the book, Canal Funnel publshed by Wild Hawthorn Press. -- Source of annotation: Marvin or Ruth Sackner.