The perforated papercard prints contain reproductions of airplanes and aircraft carriers and stylized cherry blossoms emblematic of Kamikazes, one print in red and the other in black. Instructions for playing the game are provided on the loose sheet. -- Source of annotation: Marvin or Ruth Sackner.

The perforated papercard prints contain reproductions of airplanes and aircraft carriers and stylized cherry blossoms emblematic of Kamikazes, one print in red and the other in black. Instructions for playing the game are provided on the loose sheet. -- Source of annotation: Marvin or Ruth Sackner.

This work was also rendered as a neon sculpture. Parheliacal means reflection of an image. -- Source of annotation: Marvin or Ruth Sackner.

This is a proposal for a garden path of bricks stamped with names of trees taken from Sir William Temple's book "Gardens in Virgil's Time," viz., 'The trees were the elm, the pine, the lime-tree, and the Platanus, or plame-tree, whose leaf and shade, of all others, was the most in request...' -- Source of annotation: Marvin or Ruth Sackner.

A caption for a picture poem is printed at the bottom of each left hand page along with a printer's ornament of a hand pointing to each blank right hand page. -- Source of annotation: Marvin or Ruth Sackner.

On the recto is a blank card with the image of a square containing the word, "Sail" in left upper corner whereas on the verso, the rectangle with the word, "stamp" is in its usual location in the upper right corner. The Sackners hold the Archive for this work that designated this work as "Deadpan Poatcard." -- Source of annotation: Marvin or Ruth Sackner.

Presentation of text is in the form of a questionaire that is illustrated with line drawings of Panzer tanks by Laurie Clark. -- Source of annotation: Marvin or Ruth Sackner.

This depicts a stone sculpture engraved with the title. The calligraphy of the word "ripples" is formed such that it could also be read "nipples." The verso os rubberstamped indicating that Ronald Gunn holds the copyright - it is not depicted in the Finlay book of Prints 1963-1997. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a series of four medallions produced in 1975 with Ron Costley. An accompanying folded sheet on which is printed a critical text by Stephen Bann is stored in the booklet section of Finlay. -- Source of annotation: Marvin or Ruth Sackner.

This is one of a series of four medallions produced in 1975 with Ron Costley. An accompanying folded sheet on which is printed a critical text by Stephen Bann is stored in the booklet section of Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Each participating artist was invited to make a proposal for a work in public space and a work for a portfolio. These artists all use text and language for their works. An introductory essay by Tjeu Teeuwen traces the relationship between text and image from early religious works through the influences of Mallarme, cubist collages, calligrams, futurism, dada, constructivism, De Stijl, concrete poetry, fluxus and conceptual art. Essays are also included on art in public places and nomadic art. -- Source of annotation: Marvin or Ruth Sackner.

The words "bark," "barque" and "baroque" are printed one to a page along with a small illustration. -- Source of annotation: Marvin or Ruth Sackner.