The word "Capital" at the top of this print is set in large capital bold letters and the word "Ship" in smaller normal typeface. -- Source of annotation: Marvin or Ruth Sackner.

The print consists of a text from R.R. Palmer "Twelve Who Ruled" and relates the appearance of Saint-Just who when led to the guillotine wore a carnation in his buttonhole. The print and two red loose sheets are cut in two parts in the shape of the guillotine, to symbolize the execution, the red carnation, and his blood. -- Source of annotation: Marvin or Ruth Sackner.

Inspired by the author's collaboration with Ian Hamilton Finlay, this book metaphorically and structurally realistically compares the aircraft carrier H.M.S. Illustrious with the fortress city Gozo in Malta. He accomplishes this comparison by captioned drawings and photographs throughout this book. -- Source of annotation: Marvin or Ruth Sackner.

The photograph is an image of the upper pool at Little Sparta. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists and describes 773 publications of Finlay. The pamphlet lists the prices of the cards and Poor Old Tired Horse. -- Source of annotation: Marvin or Ruth Sackner.

The text reads, "A big catch is a wee consolation. (After Paul Klee) -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds a Clock that was made by Kenelm Cox on behalf of Dom Sylvester Houedard. Also in the Archive is the sculpture Suncycle that was planned with Nicholas Logsdale at the Lisson Gallery, cast in brass and sold as a multiple without a motor. The author title for this book is "Ken Cox." -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds a Clock that was made by Kenelm Cox on behalf of Dom Sylvester Houedard. Also in the Archive is the sculpture Suncycle that was planned with Nicholas Logsdale at the Lisson Gallery, cast in brass and sold as a multiple without a motor. The author title for this book is "Ken Cox." -- Source of annotation: Marvin or Ruth Sackner.

This catologue includes facsimile examples of Finlay's poems, a bibliography, a list of works in the exhibition together with prices, and a history of the Wild Hawthorne Press. -- Source of annotation: Marvin or Ruth Sackner.

The poem prints the word, "daisy," in varied typefaces seven times in a vertical row. Daisy chain is a means for hooking up multiple peripherals to a personal computer. The different typefaces constitute a simile for the different peripherals. -- Source of annotation: Marvin or Ruth Sackner.

The text on one sheet reads "glades of sunlight" and is printed on warm, golden paper. The second sheet reads "forests of cloud" and is printed on purple earthy paper. -- Source of annotation: Marvin or Ruth Sackner.

The card depicts a line drawing of a flower bouquet and a caption, Charm, n., a something pleasing in a person or thing; it came in with the Revolution and went out with the war. Revolution refers to the French Revolution in this poem. -- Source of annotation: Marvin or Ruth Sackner.

This letter is addressed such that each letter of the uppercase title is formed by multiple lowercase letters of same letter.The pages have binder holes. -- Source of annotation: Marvin or Ruth Sackner.

Contains reproduction of pages from Finlay's "6 small songs in 3's." -- Source of annotation: Marvin or Ruth Sackner.

John Flaxman (175-1826) was a British-born Swedenborgian sculptor, painter, designer and illustrator. -- Source of annotation: Marvin or Ruth Sackner.