The title translated to 'clock of flowers.' -- Source of annotation: Marvin or Ruth Sackner.

The image on this card is a black and white drawing of persons rowing in a lake. The names listed in the poem are the Hincks family. -- Source of annotation: Marvin or Ruth Sackner.

Hovis is England's most famous brown bread brand. The first page depicts a line drawing of a bread loaf placed on a brown square, the second page a line drawing of a brick placed on a brown square and the third page a line drawing of a sail placed on a brown square. All have been labeled "Hovis." -- Source of annotation: Marvin or Ruth Sackner.

The shape of this poem is a simplified labyrinth. -- Source of annotation: Marvin or Ruth Sackner.

According to this book, published to commemorate Christmas 2000, HUFF, n. is defined as follows: a fit of anger, sulks, or offended dignity (Chambers); a fit of petulance caused by an affront (Oxford); an armed withdrawal (IHF). The pages consist of black and white photographs of plants in Finlay's gardens as well as wood or stone engraved benches with aphorisms. -- Source of annotation: Marvin or Ruth Sackner.

Hulls (1) consists of 43 leaves of intersperced single names of fishing boats, one to a page, with varied numbers of colored paper stock signifying the colors on their hulls. Hulls (2) uses the names of the colors, black on 22 leaves of white paper stock to identify the hulls. The books were made by Colin Sackett. -- Source of annotation: Marvin or Ruth Sackner.

The colored photograph on the cover is of clouds shaped like a bow. The quote for its caption was taken from Genesis 9:13. -- Source of annotation: Marvin or Ruth Sackner.

Card depicts a drawn graphite rendition of Jon-Louis David painting of the death of Marat with an added hanging sword over him with the caption "I was published by Jonathan Cape." The latter is a British book publisher who published a book about architectural follies (Follies: A National Trust Guide) in the United Kingdom and cited Finlay's Temple Garden among them. -- Source of annotation: Marvin or Ruth Sackner.

Perhaps the best treatment accorded to the life and work of a concrete poet. -- Source of annotation: Marvin or Ruth Sackner.

Includes comments by Finlay on his poem, "Acrobats." -- Source of annotation: Marvin or Ruth Sackner.

The introductory essay by Stephen Bann deals with Finlay's belief in the decline of innovation in concrete poetry in the seventies and his own shift toward classicism. -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomasticens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomasticens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomastikens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." This may have been part of a letter to Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomastikens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." -- Source of annotation: Marvin or Ruth Sackner.

The title of this piece "book of onomastikens" (Houedard's imaginary book?) is derived from onomastics that means the study of the origins and forms of proper names or the study of the origins and forms of terms used in specialized fields. The Sackner Archive holds one book dealing with this subject, Michael Temple's The Name of the Poet: Onomastics and Anonymity in the Works of Stephane Mallarme." Houedard has drawn three designs for the mongram IHF in the lower left corner. This page appears to be the second page ot a typewrite rpoem with the saame title and identified by RKS & MAS as 2.3. It is signed luv silvester formed by an assay of dense, typed dashes. This may have been part of a letter to Ian Hamilton Finlay. -- Source of annotation: Marvin or Ruth Sackner.

Three typed blocks of letters are typed to using the letters a-h-m-l-t-n-f-n-l-y and i-a-a-i-e-i-a.The verso has the phrase work sleeves written in graphite and nicholas & Fiona [Logsdale] written in green ink. -- Source of annotation: Marvin or Ruth Sackner.