Finlay, Ian Hamilton, 1925-2006
Dates
- Existence: 1925 October 28 - 2006 March 27
Nationality
Scottish
Found in 1989 Collections and/or Records:
Lanes / Finlay, Ian Hamilton ; Sandeman, Margot., 1969
Cover is missing but pages are intact. -- Source of annotation: Marvin or Ruth Sackner.
Lanes / Finlay, Ian Hamilton ; Sandeman, Margot., 1969
Lanes / Finlay, Ian Hamilton ; Sandeman, Margot., 1969
L'Annee Finlay / Finlay, Ian Hamilton., 1987
Lasciate Ogni Speranza... , 1987
This admonishment in Italian by the Saint-Just Vigilantes means in English, "Abandon every hope to you that enter!" It refers to the Strathclyde tax collectors with whom Finlay had a major dispute. This print appeared in two versions, printed in red and in black; this version is printed in black; the other version in red is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Lasciate Ogni Speranza..., 1987
This admonishment in Italian by the Saint-Just Vigilantes means in English, "Abandon every hope to you that enter!" It refers to the Strathclyde tax collectors with whom Finlay had a major dispute. This print appeared in two versions, printed in red and in black; this version is printed in red; the other version in black is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
(Le Circus) / Finlay, Ian Hamilton; Stevenson, Ann., 1966
This is preparatory print with multiple colored letters on white background for the subsequent smaller dimensioned poster poem which was printed on heavier paper by Tarasque Press with glowing red letters on a light blue background. The latter had optical image characteristics whereas this version does not. The Sackner Archive holds several works by Ann Stevenson under another name, Ann Noel. She is the widow of Emmett Williams. -- Source of annotation: Marvin or Ruth Sackner.
Le Silence Eternal De Checkpoint Sandy / Finlay, Ian Hamilton; Reeve, Antonia., 1986
This depicts a black and white photograph of Finlay's farm, Little Sparta, captioned "...Eastern Frontier at the time of The First Battle of Little Sparta, February 4 1983..." -- Source of annotation: Marvin or Ruth Sackner.
Le Tombeau de Rousseau au Pantheon / Finlay, Ian Hamilton; Hincks, Gary., 1989
Le Tricot Etait Une Occupation Reservee 1794 / Finlay, Ian Hamilton., 1987
The title translates in English to "Knitting was a reserved occupation" and Finlay has done another print with the same layout as this one in English. It is a reference to a quotation made in 1794 in the French revolution. Finlay then directs it at the editorial board of the Art Press who contributed to the refusal of his Parisian commission. He equates "occupation" to a hostile force "occupying" a country and in turn addresses them as "knitters." He also did a picture poem card on "knitters." The image of this print in Finlay's book Prints 1963-1997 is depicted in black whereas this version is printed in red. -- Source of annotation: Marvin or Ruth Sackner.
Leaf Bark Bookmark / Finlay, Ian Hamilton., 1978
Learner Editor / Finlay, Ian Hamilton., 1996
This depicts a logograph for Andreas Muller, architectural editor for Birkhauser, publisher of Between Landscape Architecture and Land Art, by Udo Weilacher. Finlay contributed a section to this book and apparently took issue with the editing capability of Muller. -- Source of annotation: Marvin or Ruth Sackner.
L'Embarquement pour l'Ile de Cythere: Homage to Watteau / Finlay, Ian Hamilton., 1975
The title of the work is printed on the folder; the print is of green stock paper and has a caption at its bottom that is entitled, ANTIQUE WOVE. -- Source of annotation: Marvin or Ruth Sackner.
Lemon on a Blue Cloth / Finlay, Ian Hamilton; Hincks, Jo., 1997
The cover depicts a drawing of a black (not blue) sailboat with the inside of the hull printed in yellow. -- Source of annotation: Marvin or Ruth Sackner.
Lemon with Oranges / Finlay, Ian Hamilton; Boulton, Janet., 1998
The cover depicts a toy sail boat done in pastels. -- Source of annotation: Marvin or Ruth Sackner.
Lemons without Bitterness / Finlay, Ian Hamilton; Hincks, Jo., 1997
The image on this card is a sailboat while the poem deals with Utopian ideas. -- Source of annotation: Marvin or Ruth Sackner.
Les Cimetieres des Naufrages / Finlay, Ian Hamilton., 1981
The word "Symbolisme" is printed on blue heavy stock paper and the folder is purple heavy stock paper. -- Source of annotation: Marvin or Ruth Sackner.
Les Femmes de la Revolution - After Anselm Kiefer / Finlay, Ian Hamilton; Hincks, Gary., 1992
The images depict realistic flowers captioned with the name of women prominent in the French Revolution, e.g., Marie Antoinette, Albertine Marat, etc. Although Finlay suggests an indebtedness in the title to the German artist Kiefer, the arrangement of the flowers and captions is more suggestive of a print that could have been made by Marcel Broodthaers. -- Source of annotation: Marvin or Ruth Sackner.
Les Femmes de la Revolution - After Anselm Kiefer / Finlay, Ian Hamilton; Hincks, Gary., 1992
The card depicts 12 images of flowers that are captioned with names of women prominent in the French Revolution such as Marie-Antoinette, Albertine Marat, etc. -- Source of annotation: Marvin or Ruth Sackner.
Les Hirondelles / Finlay, Ian Hamilton; Costley, Ron., 1970
Hirondelles are swallows (birds), and the image of musical notes on a blue background (sky) serve as a metaphor to the birds. -- Source of annotation: Marvin or Ruth Sackner.