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Finlay, Ian Hamilton, 1925-2006

 Person

Dates

  • Existence: 1925 October 28 - 2006 March 27

Nationality

Scottish

Found in 1989 Collections and/or Records:

Lanes / Finlay, Ian Hamilton ; Sandeman, Margot., 1969

 Item
Identifier: CC-37979-39862
Scope and Contents

Cover is missing but pages are intact. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1969

Lasciate Ogni Speranza... , 1987

 Item — Folder 61: [Barcode: 31858072537958]
Identifier: CC-12900-13191
Scope and Contents

This admonishment in Italian by the Saint-Just Vigilantes means in English, "Abandon every hope to you that enter!" It refers to the Strathclyde tax collectors with whom Finlay had a major dispute. This print appeared in two versions, printed in red and in black; this version is printed in black; the other version in red is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Lasciate Ogni Speranza..., 1987

 Item — Folder 61: [Barcode: 31858072537958]
Identifier: CC-12901-13192
Scope and Contents

This admonishment in Italian by the Saint-Just Vigilantes means in English, "Abandon every hope to you that enter!" It refers to the Strathclyde tax collectors with whom Finlay had a major dispute. This print appeared in two versions, printed in red and in black; this version is printed in red; the other version in black is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

(Le Circus) / Finlay, Ian Hamilton; Stevenson, Ann., 1966

 Item
Identifier: CC-12464-12691
Scope and Contents

This is preparatory print with multiple colored letters on white background for the subsequent smaller dimensioned poster poem which was printed on heavier paper by Tarasque Press with glowing red letters on a light blue background. The latter had optical image characteristics whereas this version does not. The Sackner Archive holds several works by Ann Stevenson under another name, Ann Noel. She is the widow of Emmett Williams. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1966

Le Silence Eternal De Checkpoint Sandy / Finlay, Ian Hamilton; Reeve, Antonia., 1986

 Item
Identifier: CC-12300-12525
Scope and Contents

This depicts a black and white photograph of Finlay's farm, Little Sparta, captioned "...Eastern Frontier at the time of The First Battle of Little Sparta, February 4 1983..." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Le Tricot Etait Une Occupation Reservee 1794 / Finlay, Ian Hamilton., 1987

 Item
Identifier: CC-12301-12526
Scope and Contents

The title translates in English to "Knitting was a reserved occupation" and Finlay has done another print with the same layout as this one in English. It is a reference to a quotation made in 1794 in the French revolution. Finlay then directs it at the editorial board of the Art Press who contributed to the refusal of his Parisian commission. He equates "occupation" to a hostile force "occupying" a country and in turn addresses them as "knitters." He also did a picture poem card on "knitters." The image of this print in Finlay's book Prints 1963-1997 is depicted in black whereas this version is printed in red. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

Learner Editor / Finlay, Ian Hamilton., 1996

 Item
Identifier: CC-35217-36951
Scope and Contents

This depicts a logograph for Andreas Muller, architectural editor for Birkhauser, publisher of Between Landscape Architecture and Land Art, by Udo Weilacher. Finlay contributed a section to this book and apparently took issue with the editing capability of Muller. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

L'Embarquement pour l'Ile de Cythere: Homage to Watteau / Finlay, Ian Hamilton., 1975

 Item
Identifier: CC-27565-28639
Scope and Contents

The title of the work is printed on the folder; the print is of green stock paper and has a caption at its bottom that is entitled, ANTIQUE WOVE. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Lemon on a Blue Cloth / Finlay, Ian Hamilton; Hincks, Jo., 1997

 Item
Identifier: CC-35354-37088
Scope and Contents

The cover depicts a drawing of a black (not blue) sailboat with the inside of the hull printed in yellow. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Lemon with Oranges / Finlay, Ian Hamilton; Boulton, Janet., 1998

 Item
Identifier: CC-35467-37203
Scope and Contents

The cover depicts a toy sail boat done in pastels. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Lemons without Bitterness / Finlay, Ian Hamilton; Hincks, Jo., 1997

 Item
Identifier: CC-35387-37122
Scope and Contents

The image on this card is a sailboat while the poem deals with Utopian ideas. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Les Cimetieres des Naufrages / Finlay, Ian Hamilton., 1981

 Item
Identifier: CC-12319-12545
Scope and Contents

The word "Symbolisme" is printed on blue heavy stock paper and the folder is purple heavy stock paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Les Femmes de la Revolution - After Anselm Kiefer / Finlay, Ian Hamilton; Hincks, Gary., 1992

 Item
Identifier: CC-10956-11168
Scope and Contents

The images depict realistic flowers captioned with the name of women prominent in the French Revolution, e.g., Marie Antoinette, Albertine Marat, etc. Although Finlay suggests an indebtedness in the title to the German artist Kiefer, the arrangement of the flowers and captions is more suggestive of a print that could have been made by Marcel Broodthaers. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Les Femmes de la Revolution - After Anselm Kiefer / Finlay, Ian Hamilton; Hincks, Gary., 1992

 Item
Identifier: CC-12249-12473
Scope and Contents

The card depicts 12 images of flowers that are captioned with names of women prominent in the French Revolution such as Marie-Antoinette, Albertine Marat, etc. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Les Hirondelles / Finlay, Ian Hamilton; Costley, Ron., 1970

 Item
Identifier: CC-11962-12185
Scope and Contents

Hirondelles are swallows (birds), and the image of musical notes on a blue background (sky) serve as a metaphor to the birds. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970