This is the second version of the poem that has black colored images and blue lettering in contrast to the first version that has red colored images and black lettering. The same poem also appears in the periodical Ou No.25, deluxe edition of 10 copies. The latter is held by the Sackner Archive. The maquette for the second version is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

In the original citation, only the text card was held. The two cards depicting text and images of hearts, respectively were included in "Agentzia 2," another work held by the Sackner Archive. The image card from "Agentzia 2" has been transferred to this location (Finlay box) for storage. -- Source of annotation: Marvin or Ruth Sackner.

The cover drawing by David Button is a sail boat presumably "stationary" or dead in the water and the print by Ron Costis a ruled blue sheet captioned "stationery." -- Source of annotation: Marvin or Ruth Sackner.

This card depicts a black and white photograph of a row of architectural books including "Follies a National Trust Guide" by Gwyn Headley and Wim Meulenkamp with a sticker placed on the spine "Censored by the Saint-Just Vigilantes." The authors of this book were critically antagonistic to Finlay's Temple Garden. -- Source of annotation: Marvin or Ruth Sackner.

The cover is discolored but the pages are preserved. -- Source of annotation: Marvin or Ruth Sackner.

This is a b&w photograph from Stonypath garden that depicts a carved stone inscribed "See Poussin Hear Lorrain." -- Source of annotation: Marvin or Ruth Sackner.

This card depicts a carved stone inscribed with Durer's mark set in the Stonypath garden. It is a riff on a famous Albrecht Durer watercolor entitled, "Piece of Lawn." -- Source of annotation: Marvin or Ruth Sackner.

This card consisting of a b&w photograph depicts a carved stone submarine in Stonypath garden. -- Source of annotation: Marvin or Ruth Sackner.

This booklet is cited in two places because the first author listed is Cutts but it is listed in the Finlay bibliography. Straiks" or "strakes" are stripes of different color from the rest of the surface of which they form a part (OED). The text plays upon variations: streams, streets, streaks, straiks. -- Source of annotation: Marvin or Ruth Sackner.

This booklet is cited in two places because the first author mentioned is Cutts but the booklet is listed in Finlay's bibliography. -- Source of annotation: Marvin or Ruth Sackner.

The poem printed in red below the blue title reads, "Strathclyde Region is no More." This poem relates to the battle between Finlay and the Strathclyde Region taxation office. It is based upon a statement made during the French Revolution. "Lyons made war on Liberty/Lyons is no more/18th day of the first month of the Year Two/of the French Republic, One and Indivisible." -- Source of annotation: Marvin or Ruth Sackner.

Deals with Finlay's problems with the Scottish art establishment. -- Source of annotation: Marvin or Ruth Sackner.

The six inscribed fragments concerning the French Revolution 1789-1805 were composed by Finlay and carved by Stirling in Portland stone. The exhibition was curated by Finlay and Simig. The commentary was written by Siegfried Blasche. -- Source of annotation: Marvin or Ruth Sackner.

Finlay plays off a stylized image of a submarine with its conning tower against a plant with a similar structure. -- Source of annotation: Marvin or Ruth Sackner.