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Bob Cobbing has made notations for the actual performance times on Swedish radio on this personal copy. He notes that Valoch's contribution was not received in time for the festival. This copy is stored with Cobbing material. -- Source of annotation: Marvin or Ruth Sackner.

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This letter is addressed to John Sharkey in which Houedard mentions well known poets of the '60s. -- Source of annotation: Marvin or Ruth Sackner.

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Each book begins with page 1 at the end, an original calligraphic or visual drawing by each artist. Then from rear to front, each drawing is slightly altered as an abstraction, page by page by Adamczewska, so that on the final page at the front of the book, the original contribution has evolved into a total abstract drawing. -- Source of annotation: Marvin or Ruth Sackner.

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Several woodblock sculptures are photographically reproduced in this catalogue. The loose print that includes a calligraphic text, musical notation and two comic strip panels was done by Jean-Claude Moineau. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue reproduces a great deal of ephemera from 1959 to 2000. -- Source of annotation: Marvin or Ruth Sackner.

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This pamphlet announces events during the region for January 1981. -- Source of annotation: Marvin or Ruth Sackner.

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Printed on Barcham Green paper. The first chapter of this book was published in De Tafelronde Vol.12, No.4, 1967. F. Urbin Choffray made the bronze figurative sculpture, Ladislav did the two prints, and Y. Rhaye made the ceramic tomb. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Heidsieck died on November 22, 2014.Internet: This book reproduces all of Heidsiecks typewritings of sound poems from 1955-1995. It consists of 120 "scores" reproduced in facsimile, revealing for the first time writing in its visual and graphic dimension that precedes and determines the public reading.This publication brings together typescripts of poems, music, and biopsies of Passe-Partout, texts designed mostly to be played and "charge for the year" in public, all scanned one by one in order to restore the most literal way possible. This plentiful material emerges a whole long life readings and performances, festivals and meetings, a life to imagine and build a modern, vibrant poetry that continues to mark an entire generation of young artists. "What I always want is to offer the opportunity to the listener / viewer to find a focal point and visual fixation. This seems to me essential. Without going so far away from happening, I always include a minimum of action so that the...

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This letter describes sound poems recently completed that are available for presentation at the "sound poetry? concrete poetry?" exhibition to be held at the Stedelijk Museim in Amsterdam. -- Source of annotation: Marvin or Ruth Sackner.

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This letter is a lengthy polemic in which Cobbing argues with Chopin's assertions on contesting the history of sound poetry. He dates and mentions his own performances of sound poetry from his first attempts in 1942. He argues with Chopin on the dating of the works of Heidsieck, Wolman, de Vree, Lockwood, Dufrene, Gysin and Jandl. -- Source of annotation: Marvin or Ruth Sackner.

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This letter acknowledges receipt of silkscreen prints from Furnival for an exhibiton at l'Universite de Rouen and a request to Houedard fora loan of his works. Heidieck does not provide the name of the exhibition nor does the Sackner Archive have an exhibition catalogue for it. -- Source of annotation: Marvin or Ruth Sackner.