The booklet contains an essay by Hubaut titled "Semiotik Rabbit" that discusses his use of the rabbit as a metaphor to develope the path into his art works. Photographs are included of Hubaut's installation pieces. -- Source of annotation: Marvin or Ruth Sackner.

The booklet contains an essay by Hubaut titled "Semiotik Rabbit" that discusses his use of the rabbit as a metaphor to develope the path into his art works. Photographs are included of Hubaut's installation pieces. -- Source of annotation: Marvin or Ruth Sackner.

The booklet contains an essay by Hubaut titled "Semiotik Rabbit" that discusses his use of the rabbit as a metaphor to develope the path into his art works. Photographs are included of Hubaut's installation pieces. -- Source of annotation: Marvin or Ruth Sackner.

The booklet contains an essay by Hubaut titled "Semiotik Rabbit" that discusses his use of the rabbit as a metaphor to develope the path into his art works. Photographs are included of Hubaut's installation pieces. -- Source of annotation: Marvin or Ruth Sackner.

Page 144 depicts the Sackner's painting on paper, Cote Quest (1983), along with commentary. This profusely illustrated book documents Hubaut's performances, installations and exhibitions over three decades. Includes a great deal of materials about his rabbit theme and monochrome events. -- Source of annotation: Marvin or Ruth Sackner.

The handcolored and rubberstamped additions to the five pages were done by Joel Hubaut. -- Source of annotation: Marvin or Ruth Sackner.

This depicts humans dressed in red, a Campbells' soup can in red, strawberries, a fish, a saucer, and a pan among others; the elements of the collage are not scaled giving rise to surrealist iconography. This collage constituted one of Hubaut's monochrome series of works. -- Source of annotation: Marvin or Ruth Sackner.

This large print reproduces Hubaut's handwritten remarks, drawings and collaged elements. The content is diverse and includes material on the war in Bosnia and rabbits. -- Source of annotation: Marvin or Ruth Sackner.

This large print reproduces Hubaut's handwritten remarks, drawings and collaged elements. The content is diverse and includes material on the war in Bosnia and rabbits. -- Source of annotation: Marvin or Ruth Sackner.

The handwritten page by Haubaut describes his activities in producing Edition C.R.E.M. The photograph depicts a sculpture by Hubaut on exhibition in the gallery. -- Source of annotation: Marvin or Ruth Sackner.

This is an exhibition review of French Art from the Sackner Archive held at the Bass museum. -- Source of annotation: Marvin or Ruth Sackner.

Hubaut wrote text and signs on clear acetate that he pasted on the center of the second page. He also wrote on the margins of this printed page that described his installation piece, "White Spirit - Windows." -- Source of annotation: Marvin or Ruth Sackner.

This book illustrates and describes the monochromatique color themed events organized and produced by Hubaut in various towns in France and Japan. Hubaut writes, "I have chosen to develop my current practice on colour from the three founding elements in modern art - the monochrome, the ready-made and the gesture. I construct my monchrome 'sites' from given or borrowed objects donated by a public often isolated from the art melieu. This is a tactic to reach a wider audience." Hubaut designates himself a "color guerilla." -- Source of annotation: Marvin or Ruth Sackner.

The cover of the slipcase of this promotional compact disc is "The Pink Night Trip" installation by Joel Hubaut. -- Source of annotation: Marvin or Ruth Sackner.

This appears to be Hubaut's take on Bern Porter's "The Last Acts Of Saint Fuck You." -- Source of annotation: Marvin or Ruth Sackner.

This appears to be Hubaut's take on Bern Porter's "The Last Acts Of Saint Fuck You." -- Source of annotation: Marvin or Ruth Sackner.