This book mainly deals with examples of convention poems written by German speaking poets along with a critical analysis by Breuer. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Padin provides a mathematical description for the lay out of his letter pictures. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Padin provides a mathematical description for the lay out of his letter pictures. -- Source of annotation: Marvin or Ruth Sackner.

dsh analyzes the sound poems of Cobbing and Jandl as well as making comparisons to Zen. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Finlay Archive cabinet. -- Source of annotation: Marvin or Ruth Sackner.

The author does a critical tabular and diagrammatic analysis of selected concrete poems by Gomringer, Jandl, Dohl, Thomkins, Hesse, Bremer, and Schauffelen. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprinting of the book which was first published in 1965; it is No.15 in the Poets* series. In the introduction, Houedard traces the history of sound poetry through a listing of the chronology of "notable soundpoems" beginning with Lewis Carroll in 1855 and ending with Cobbing in 1965. He also mentions Egyptian hymns 300 B.C. of breath poems consisting of may notes sung to one syllable. Houedard's manuscript for this essay is held by the Sackner Archive. This book was written to accompany Writers Forum Record No.1 by Jandl and Cobbing. One of the poems by Jandl in this book, "time passes," also appears in the manuscript and book of "mai hart...," works also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book is No.15 in the Poets* series. In the introduction, Houedard traces the history of sound poetry through a listing of the chronology of "notable soundpoems" beginning with Lewis Carroll in 1855 and ending with Cobbing in 1965. He also mentions Egyptian hymns 300 B.C. of breath poems consisting of many notes sung to one syllable. Houedard's manuscript for this essay is held by the Sackner Archive. This book was written to accompany Writers Forum Record No.1 by Jandl and Cobbing. One of the poems by Jandl in this book, "time passes," also appears in the manuscript and book of "mai hart...," works also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Cluver contributed an essay, "On Representation in Concrete and Semiotic Poetry." Eric Vos wrote about "Visual Literature and Semiotic Conventions." Eduardo Kac's wrote on "Holopoetry and Hyperpoetry." Charlotte Schoell-Glas contributed "The Medium is the Message: Ian Hamilton Finlay's Garden Little Sparta,"an essay that reviewed the political side of Finlay's work. David Scott described the postage stamps of Donald Evans in "Semiotics and Ideology in Mixed Messages: The Postage Stamp."Cluver focuses on the word, "Ekphrasis" defined by some as "the verbal representation of graphic representation." -- Source of annotation: Marvin or Ruth Sackner.

One thousand copies of this book were published; 800 were signed and numbered, 200 were not. This copy is from the 200 which were unnumbered; however, both Mayrocker and Gomringer signed the book. The book consists of Mayrocker's poems with an afterward by Gomringer. -- Source of annotation: Marvin or Ruth Sackner.

Essays by Frances Butler and Alastair Johnston present a historical, personal view of the founding of Poltroon, its philosophy and their artistic journeys during the twenty years of the press, a private voice in the public realm. They mention seeing the exhibition, "The Altered Page" at the Center for Book Arts, NYC consisting of works from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

It is mentioned that the works of Sdun are in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.