Consists of interviews of several German artists and poets. -- Source of annotation: Marvin or Ruth Sackner.

According to Barbara Moore, there were two versions of this book, one with gallery information that served as an exhibition catalogue and the other without such information as in this copy. -- Source of annotation: Marvin or Ruth Sackner.

This copy differs from the other one in the Archive in that it is dry mounted to white cardboard. -- Source of annotation: Marvin or Ruth Sackner.

Ferdinand Kriwet contributed an introductory essay, "Decomposition of the Literary Unit: Notes on Visually Perceptible Literature" that traced the historical antecedents of concrete and poetry. This is followed by an illustrated section on his own linguistic and compositional techniques involving circular concrete poems, "Rundsheiben." "Walk Talk," a vinyl, floor covering, a portion of which was given to the Sackners by Kriwet is depicted in the book.Kriwet defines his term "Sehtext" as a solution to the problem of visually perceptible literature. It is the tension between the physical act of seeing and the intellectual one of reading. Seeing is a process of perception; reading is the reaction to it. -- Source of annotation: Marvin or Ruth Sackner.

The text is an exposition of Kriwet's paintings that he designates Publit aka public literature. He notes that he considers himself a writer who paints. The inscription on the cover is written and signed by Franz Mon (?). -- Source of annotation: Marvin or Ruth Sackner.

The text is an exposition of Kriwet's paintings that he designates Publit aka public literature. He notes that he considers himself a writer who paints. -- Source of annotation: Marvin or Ruth Sackner.

Contains information on Sehtexte Serie that are prints held iin Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

One copy includes a pamphlet that serves as an index to the works reproduced in the catalogue; the pamphlet is not present in the duplicate copy. There are several reproductions of experimental music scores as well as examples of Japanese calligraphy in the catalogue.The individual images do not carry a caption of their authorship. -- Source of annotation: Marvin or Ruth Sackner.