This is a two page letter to John Sharkey that includes a poem from Lionel Kearns and mentions information about a notable group of poets and plans for future publications. -- Source of annotation: Marvin or Ruth Sackner.

This anthology traces the historic roots of concrete and visual poetics through numerous illustrations to contemporary times. Franz Mon's "Collage" of 1965 (Decollage) depicted on page 81 is held by the Sackner Archive. The originals of Ruutsalo's "Textfilm" reproduced on page 96 are also held by the Sackner Archive. The book includes a section that shows employment of concrete and visual poems in commercial advertisements. The cover depicts a reproduction of a collage by Jochen Gerz. -- Source of annotation: Marvin or Ruth Sackner.

Several poems displayed in this exhibition were taken from limited edition portfolios of concrete poetry published by Hansjorg Mayer; all of these portfolios are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Circular text reads YEAHONEYOUTHTHORNYOUNG. Damaged corners and tear on front left. -- Source of annotation: Marvin or Ruth Sackner.

Third edition of book which first appeared in 1966. Reproduction of Kriwet's "Walk Talk" held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The covers of this brochure depict mandalas by Kriwet. A reproduction of the piece, "Group H" is signed by Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

The letters of this circular concrete poem were rubberstamped and then filled in with black ink. -- Source of annotation: Marvin or Ruth Sackner.

Might be titled Geld wortwörtlich dargestellt, Mappe mit 6 Original-Grafiken: 1. "EXIM", 2. "PLUS", 3. "Weltwaehrung", 4. "Transfer", 5. "Pay" und 6. "Roll Over", Baldreit WEB 2010 priced it at $665. -- Source of annotation: Marvin or Ruth Sackner.

Water damage on base with pin holes. -- Source of annotation: Marvin or Ruth Sackner.

This floor covering that covered part of Kriwet's hallway was a gift to Ruth and Marvin Sackner when they visited Kriwet in his castle outside of Saabrucken, West Germany in 1984. The Sackners were participating in a video production in Saarbrucken produced by Klaus Peter Dencker for German television at the time. -- Source of annotation: Marvin or Ruth Sackner.

The book consists of an long essay on the history of word-image works begining with Mallarme's "Un Coup de Des..." to Concrete Poetry by A. Schug. The folding of the book is similar to Cendrars and Delauney's "Transsiberian Railway." The latter is reproduced in color as a facsimile in the same dimensions when this catalogue is fully opened. -- Source of annotation: Marvin or Ruth Sackner.

This print appears to have been made from a collage of red, blue, and green colored fragments of rotor poems. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts copious illustratIons of his works througout his lifetime. It is mentioned that Kriwet wrote his first book, "Rotor," in 1961 as a continuous text without capital letters, stops and commas at age 19 years. This book is analyed on pages 53-55 by Christoph Benjamin Schulz. A 1981 solo exhibition was the last one for 23 years until 2004 when rgw BQ gallery in Cologne showed old and recent works. And until 2011 when the Kunsthalle Dusseldorf held this retrospective. Pages 57-103 depict examples of Kriwet's typewritten poetry beginning at age 14 years with convention poetry and progresssing to concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.