Image consists of "fingerprinted' penises placed on page to form the word "ART." Twelve identical, commercial labels, have been collaged onto the print, "Made Fresh in the Sausage Shop, Hot Italian Style..." The print constitutes one of a series of 8 Unrelated Pieces for the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This volume of Miglietta's collection of concrete and visual poetry served as the catalogue for the exhibition at the Castello di Carlo V, in Lecce in November 1996. It was subtitled, "Sperimentazione, Verbo-Visuale, Multimediale, Mail-Art." The actual dates of completion of the catalogue was June 1996. The Sackner Archive is listed with contributions of catalogues to Miglietta of the 1984 Archive listing and several selected exhibition catalogues. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Vittore Baroni. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Vittore Baroni. -- Source of annotation: Marvin or Ruth Sackner.

These are photocopied images done for the cover of Baroni's book with the same title. -- Source of annotation: Marvin or Ruth Sackner.

Baroni provides an in-depth discussion of mail art with sections dealing with submovements, e.g., assemblings, fluxus, xerox art, etc. and sections dealing with major figures, e.g., Ray Johnson, Robin Crozier, etc. He also mentions the Sackner Archive as a resource for mail art. -- Source of annotation: Marvin or Ruth Sackner.

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.