Eugenio Miccini contributed an essay,"Mantova e la Poesia Visiva." -- Source of annotation: Marvin or Ruth Sackner.

This exhibition that was curated by Lucilla Sacca is subtitled "Firenze: Storia di una Rivoluzione Colta (1960-1980). In Ori's biography, it is mentioned that the Sackner Archive holds his works. The works in the exhibition catalogue are extensively annotated by the curator. -- Source of annotation: Marvin or Ruth Sackner.

This book describes an exhibition and a symposium that included sound poetry, which was held in Venice in June 1972. The critic, Rossana Apicella, mentions, "Let us hope, si licet, that visual poetry will not meet with rapid success, that it will remain immediate, violent, mad and popular, erudite and authentically experimental; there is a risk, otherwise, that according to the logic of human destiny it will get up to a dangerous pedestal." -- Source of annotation: Marvin or Ruth Sackner.

Nerida Newbigin contributed an essay "Giulia Niccolai, Adriano Spatola & the creation of the Poesia Visiva Collections" and Maria Tornataore Loong an essay on "Poesia Visiva." -- Source of annotation: Marvin or Ruth Sackner.

This issue by Marcucci consist of visual poems that have a comic strip quality. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Eugenio Miccini. -- Source of annotation: Marvin or Ruth Sackner.

Lara-Vinca Masini provides an introductory essay to the works of Ori. -- Source of annotation: Marvin or Ruth Sackner.