Scope and Contents

Produced by Enzo Minarelli and edited by Giovanni Fontana. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Produced by Enzo Minarelli and edited by Giovanni Fontana. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book reproduces Minerelli's diary and is also designated Dismura Supplement No.57-59. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue deals with the poetry on the Internet. It features reproductions of poetry computer screens, poetry Websites, e-mail, and programming documentation. This issue also includes a listing of poetry Website addresses on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was curated by Giovanni Fontana. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was curated by Giovanni Fontana. This exhibition began in Brescia, Italy. The Gnazzo poem reproduced on one of the cards was depicted in the exhibition catalogue, "Spazi di-versi; segni e parole di poeti." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Fernando Aguiar contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition catalogue features the written and printing paintings of six artists living in Italy. It is introduced with several critical essays. For example, Vincenzo Accame contributes an essay "The Relationship between Written and Painted Signs from the Viewpoint of an Aesthetic Communication in Perspective." The catalogue provides an illustration of a painting by Anna Guillot, "di cui cenere e inizio," held by the Sackner Archive, along with two detail views of this work. Gio Ferri writes in his essay, "Anna Guillot's obsessive and luminous surface is also made up of rifts and orders. She 'illustrates' the geological and archaeological component of the return journey. The dig and the passage through stratified sedimentations of writing to the sign, from calligraphic statement to painting. But the adventure of research, the journey into the deep beyond the surface, as they become revealed, under the imposition of systemised programming, reveal, first lightly, then...