Scope and Contents

The confetti in the cover bag came from the perforations of the punched pages. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This special edition of the catalogue features an additional cover as a collage done by Emmett Williams and Jurgen Olbrich. The collage is done on the outer covers and the inner bck cover. The exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive...

Scope and Contents This special edition of the catalogue features an additional cover as a collage done by Klassen, Putz, Ruch and Warnke. Both outer and inner covers are collaged.The exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive holds most of the magazines...

Scope and Contents

This exhibition from the artist magazine collection of the late Rolf Dittmar was curated and installed by Jurgen Olbrich. It Included 350 periodicals from 25 countries which were presented in greenhouses, cases and walls. The exhibition consisted of critical, art historical and multiple art editions. The exhibition itself was arranged thematically and chronologically including "The Face of the Machine," "The Format of the Magazine," "Beginning in the 50s," "The Departure into the Present," "Literary Magazines," "Leaflets," "Art Magazines," "Fluxus Magazines," "One Artist Magazines," "Mail Art Magazines," "Assemblings," "Object Magazines," " Project and Conceptual Magazines," and " New Media." The catalogue resembles a newspaper and holder used in libraries and reading rooms. The Sackner Archive holds most of the magazines exhibited in this show but does not own several mail art assemblings that originate from Germany. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The collaged element on the title page is a rubber band that has been used to create images on a photocopying machine that are depicted on the pages of this book. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This edition contains original works by international poets-artists. Includes an artist book containing rebuses by Dencker; the galley proof of this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The photographic portraits on cards document the friendship of the three artists over the years 1988-1994. The plastic toy house poem object has a small window through which a colored photograph of the artists can be seen when the house is held up to the light. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The booklet is constructed as a Dos a Dos book with two gum wrappers stapled inside the front and back covers. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The book consists of magazine covers and pages for popular consumption printed by a large German printing plant. The workers hands were photocopied by Olbrich who then overlaid the hands on this material to create pages in a book. The book itself is placed within the frame with a matting of crumpled paper from the pages and covers produced in the printing plant. The cover of the cardboard box container has a photocopied print of two hands. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Several prints and collages have been signed by Olbrich. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book reproduces advertisements or modified advertisements, one to a page, mostly incorporating the images of monkeys or stylized monkeys. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of an array of dizzying styles of collages and rubberstamped presentations. There are three numbered copies of this work in the Sackner Archive that have similar layouts with mostly minor differences in content. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book consists of an array of dizzying styles of collages and rubberstamped presentations. There are three numbered copies of this work in the Sackner Archive that have similar layouts with mostly minor differences in content. -- Source of annotation: Marvin or Ruth Sackner.