Phillips, Tom, 1937-2022
Nationality
British
Found in 1149 Collections and/or Records:
Notes From Tom Phillips' Gallery Talk / Pascal, Huston; Phillips T., 1991
Notes in the Post: At the Opera (Apr.) / Phillips, Tom., 1998
This is a new series of essays from Phillips' current project which is based upon a century of picture postcards. For this magazine, the postcards have been selected to reflect aspects of the world of music. -- Source of annotation: Marvin or Ruth Sackner.
Notes in the Post: Chopin's Hand/Liberace's Jeweled Hands (Jan.) / Phillips, Tom., 1998
This is the first in a new series of Phillips' current project that is based on a century of picture postcards. For this magazine, te postcards will be selected to reflect aspects of the world of music. -- Source of annotation: Marvin or Ruth Sackner.
Notes in the Post: Dr Arturo Toscanini (Mar.) / Phillips, Tom., 1998
This is a new series of essays from Phillips' current project which is based upon a century of picture postcards. For this magazine, the postcards have been selected to reflect aspects of the world of music. -- Source of annotation: Marvin or Ruth Sackner.
Notes in the Post: Madame Tetrazzini (Feb.) / Phillips, Tom., 1998
This is a new series of essays from Phillips' current project which is based upon a century of picture postcards. For this magazine, the postcards have been selected to reflect aspects of the world of music. -- Source of annotation: Marvin or Ruth Sackner.
Notes in the Post: Mario Lanza in The Great Caruso (May) / Phillips, Tom., 1998
This is a new series of essays from Phillips' current project which is based upon a century of picture postcards. In this issue, the postcards depict portaits of Mario Lanza and Enrico Caruso. -- Source of annotation: Marvin or Ruth Sackner.
Notes in the Post: Music First (Jun.) / Phillips, Tom., 1998
This is a new series of essays from Phillips' current project which is based upon a century of picture postcards. For this issue, the postcards depict two scenes of couple's love expressins seated at a piano stool. -- Source of annotation: Marvin or Ruth Sackner.
[Nude] / Phillips, Tom., 1983
This nude seems to be inspired by Ingres Grand Odalisque. -- Source of annotation: Marvin or Ruth Sackner.
Occasional List / Jaffe, James S. ; Phillips T ; cummings ee ; Davenport G ; Cox M ; Olson C ; Hamady W ; Pound E ; Stein G ; Williams J ; Zukofsky L., 2002
Oh Miss South Africa, 1975
Oh Mozart Mozart , 1972
Oh Those Reds... / Phillips, Tom., 1972
The two paintings are mounted within a single frame. The top painting consists of colored stripes. The stenciled text of the bottom painting mentions chance and "fine and ingenious concordant terminal greys." -- Source of annotation: Marvin or Ruth Sackner.
On Libraries / Phillips, Tom., 1986
This essay was originally written for the Art Librarians Journal v.11 no.3, 1986. -- Source of annotation: Marvin or Ruth Sackner.
On Postcards of the Public Buildings Fly the Flags / Phillips, Tom., 1976
This work consists of a 2 x 5 grid of enlargements of a fragment of flags flying on buildings in England as depicted on postcards. A caption written by Phillips is printed on the bottom of the print. The duplicate copy is unframed and stored in the wide flat files. -- Source of annotation: Marvin or Ruth Sackner.
On T 1327 Benches / Phillips, Tom., 1971
Opening: The Singing Mushroom Poem For John Cage. No.9/Feb / Tom Phillips., 1972
The text was incorporated into a painting by Phillips entitled, "Ephemerides II." The latter is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Openings Press Card Series: Three Telegrams. No.3/Nov / Tom Phillips., 1968
The image on this card is identical to the one in the first edition of "A Humument." -- Source of annotation: Marvin or Ruth Sackner.
Operis Non Es Simplex [from Dante's Inferno], 1979 - 1980
Optical Magic: Tom Phillips Reviews "Secret Knowledge" / Phillips, Tom; Hockney D., 2001
Phillips writes a brilliant review of David Hockney's book on rediscovering the lost techniques of the old masters using lenses, mirrors and darkened rooms for The Times Literary Supplement. -- Source of annotation: Marvin or Ruth Sackner.
Oraisins O Chateaux: Chateau Suduiraut Sweet Du Roy / Phillips, Tom., 1986
The images in the print consist of a drawing of the wine chateaux in the center bordered by four Humument fragments of images of vines with texts that read, "o autumn o red chateau wine; crossing time in a bottle; true companions, the grape, and art; a label for a bottle of art." -- Source of annotation: Marvin or Ruth Sackner.