Second presentation of the First International Festival of Live Poetry (first exhibition catalogue is also held by the Sackner Archive). This exhibition included selected originals and photographs from the first exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Second presentation of the First International Festival Of Live Poetry (first presentation also held by Sackner Archive) held one year after the initial exhibition. This exhibition included selected originals and photographs of the first exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This is a memorial issue dedicated to Franco Beltrametti. -- Source of annotation: Marvin or Ruth Sackner.

This issue depicts large red images of the heart, star, lips accompanied on a facing page with brief captions in large red handwritten letters. Julien Blaine uses his given name, Christian Pontevin, in this periodical. -- Source of annotation: Marvin or Ruth Sackner.

Usually published in an edition of 400 copies. This work is printed on orange colored stock. In addition to the duplicates, there is an additional copy with only the second page printed on white colored stock. The documentation in this issue deals with the March 1968 French revolution. The manifesto, printed in four languages, is entitled "For the night and day awakeners basic platform of the poetry ." -- Source of annotation: Marvin or Ruth Sackner.

This scholarly, informative and well illustrated catalogue describes the adventures of the post-WWII artists who searched for new forms of liberty in art beyond aesthetic conventions of the moment or social norms. The exhibition was organized in two sections:1952-1968 and 1968-1994. The catalogue also includes a section of music and cinema, a chronology organized by year and event location and a bibliography. Most of the text consists of interviews of the participants. -- Source of annotation: Marvin or Ruth Sackner.

This is an anthology of correspondence and stamp art. -- Source of annotation: Marvin or Ruth Sackner.

The first third of the book consists of abstract sculptural works of Gribaudo accompanied by texts by are critics on the facing pages. This is followed by a concrete poetry section curated by Adriano Spatola that has concrete poems on the left facing page and works of Grigaudo on the right facing pages. Some of the poems relate in layout to the sculptural works, others do not. Most poems were composed with typing or letraset. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns Harris' acceptance of Blaine's text in Spanish for "Fleye" issue No.4. -- Source of annotation: Marvin or Ruth Sackner.