The theme of this work is the Iris flower and most pages depict drawn abstractions of the flower in gray-black colors. The latter is an unexplained contradiction to the purple colors of the flower. The folder enclosing the pamphlets, pages, and drawings is inserted into an enclosure in the rectangular shaped earthy, ceramic vase which has another round enclosure for an artificial Iris flower with its stem. A polaroid photograph depicts the process of how the drawing was made - by rubbing the flower over paper to form the word "Iris" from its pigments.Also designated No.2/Tome 11 in the series ARTCI-BLE Petits Dictionnaires Portatifs. -- Source of annotation: Marvin or Ruth Sackner.

Jean-Francois Meyer contributes two descriptive pages with illustrations of the work of Julien Blaine. This periodical is filed in the Blaine box. -- Source of annotation: Marvin or Ruth Sackner.

This card depicts a color photograph of a volcano eruption on a small island in the Pacific Ocean east of Madagascar. -- Source of annotation: Marvin or Ruth Sackner.

This is also designated Poesie du troisieme millenaire no.3. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book, that includes several photographs and pages bold typography, appears to be the interrelationship among the vulva, leaves, and the letter 'Q'. This copy is from an unnumbered edition; 350 copies were numbered and 150 of them contained additional pages of typography. Several themes emerge in this collection of Blaine's works, titled, "The Fifth Leafage." They include the author's notes and descriptions, photographs of performances, illustrations of leaves in various forms, hands, rocks, caves and typographic innovations. The latter depict the 'Q' in different typographic styles, some that suggest sexual intercourse. This copy is from the unsigned run of 200 copies but it is not numbered as it should be. -- Source of annotation: Marvin or Ruth Sackner.

Abraham Moles contributed the preface.The numbering system must have started at a number other than '1.' since only 3026 copies were printed.refThe section titled "La Poesie apres le Verbe" by M. and A. Chaleil, is an in depth critical evaluation of the contemporary international concrete poetry movement which has excellent illustrative examples. Gilbert Rochu provides a critical review of comic strip art. -- Source of annotation: Marvin or Ruth Sackner.

This book documents several of Julien Blaine's performances with colored photographs and text as well as a film about him. It is stored in the Blaine box. -- Source of annotation: Marvin or Ruth Sackner.

This book consists mainly of essays by several authors commenting on Blaine's work. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue consists of French art/poetry lent by the Sackner Archive to a Bass museum exhibition on Miami Beach. -- Source of annotation: Marvin or Ruth Sackner.

The drawing was made on an announcement card for an exhibition curated by Julien Blaine that featured several visual poets. -- Source of annotation: Marvin or Ruth Sackner.

The object consist of colored plexiglass letters suspended with a plexiglass hook. -- Source of annotation: Marvin or Ruth Sackner.

This is an in-depth critical review of six French concrete and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

This card depicts a color photograph of a the face of a Lemur on Madagascar. -- Source of annotation: Marvin or Ruth Sackner.