This is a major exhibition of concrete and visual poetry organized by Michael Glasmeier. Almost every classification of visual/verbal imagery was represented in this catalogue. This catalogue depicts 71 dom sylvester houedard, eight Ladislav Novak typewriter poems. This catalogue depicts images of works included in several Hansjorg Mayer portfolios of concrete poetry. It also depicts images from runs of periodicals such as Affiche, Futura, POTH, Rot, Revue Ou, Rhinozeros, etc. Most of the works in this exhibition are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This scholarly, informative and well illustrated catalogue describes the adventures of the post-WWII artists who searched for new forms of liberty in art beyond aesthetic conventions of the moment or social norms. The exhibition was organized in two sections:1952-1968 and 1968-1994. The catalogue also includes a section of music and cinema, a chronology organized by year and event location and a bibliography. Most of the text consists of interviews of the participants. -- Source of annotation: Marvin or Ruth Sackner.

This is an anthology of correspondence and stamp art. -- Source of annotation: Marvin or Ruth Sackner.

Abraham Moles contributed the preface.The numbering system must have started at a number other than '1.' since only 3026 copies were printed.refThe section titled "La Poesie apres le Verbe" by M. and A. Chaleil, is an in depth critical evaluation of the contemporary international concrete poetry movement which has excellent illustrative examples. Gilbert Rochu provides a critical review of comic strip art. -- Source of annotation: Marvin or Ruth Sackner.

This is an in-depth critical review of six French concrete and visual poets. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue includes an essay on networking in mail art and statements by artists on the subject. The theme of the exhibition was "Portugal." -- Source of annotation: Marvin or Ruth Sackner.

It is noteworthy that there is no correspondence between the artist/poets listed as contributors because most rendered textural examples of visual poetry whereas the individual works on the unbound page depictedl images in black & white photographs. -- Source of annotation: Marvin or Ruth Sackner.