Kostelanetz, Richard, 1940-
Person
Dates
- Existence: 1940 May 14
Nationality
American
Found in 6 Collections and/or Records:
Assembling: Eighth Assembling (A-J). No.8 / Richard Kostelanetz ; Henry Korn ; Compilers ; Ascher S ; Buchwalder E ; Frank P ; Gaglione B ; Helmes S ; Anderson B ; Arnold D ; Doria C ; Gordon B ; Drake A ; Forget C ; Gibbs M ; Straus DL ; Allen B ; Arnold P ; Bennett JM ; Brown RD ; Bressi B ; Truck F ; Elwert C ; Grayson R ; Glass Jjr., 1978
Item
Identifier: CC-25308-25764
Scope and Contents
This issue includes particularly good examples of typewritten concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1978
Assembling: Eleventh Assembling: Pilot Proposals. No.11 / Richard Kostelanetz ; David Cole ; Compilers ; Ascher S ; Straus DL ; Bennett JM ; Cole D ; CrackerJackKid ; Crozier R ; Gerlovina R ; Lipman J ; Nations O ; Porter B ; Spiegelman L ; Pittore-Eurofico C ; Zelevansky P ; Helmes S ; Higgins EF-III ; Myers GJr ; Owen R ; Saffren H ; Truck F ; Leon SJ., 1980
Item
Identifier: CC-25977-26439
Scope and Contents
Covers by Cole. All contributors to this issue responded to the question "If you could apply for a grant of $500,000, what precisely would you propose to do?" -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1980
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-30106-31504
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-32240-33798
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
Networking Artists: Assemblings from the Ruth & Marvin Sackner Archive of Concrete & Visual Poetry / Craig Saper, curator ; Shores M ; Mark A ; Kostelanetz R ; Meade R ; Baroni V ; curry jw ; Cortese R ; Zagoricnik F ; Huth G ; Gagnon JC ; CrackerJackKid ; Black J ; Gerlovin V ; Gerlovina R ; Nikonova R ; Neaderland L ; Warnke U ; Fabry A ; Deisler G ; Ebel G ; Ahnert C ; Forsyth I ; Pollard J ; Vigo EA ; Copley W ; Crandall J ; Boumans B ; Beltrametti F ; Lora-Totino A ; Spatola A ; Damen H ; Chopin H ; Lemaitre M ; Saper C ; Ryan M ; McLuhan M ; Sackner MA ; Sackner RK ; Saritsky A ; Carlander K ; Drucker J ; Patasz P ; Cardella J ; Warhol A ; Bowles J ; Wohl B ; Maggi R ; Adler J ; Dias-Pino W ; Lemaitre M ; Targowski H., 1997
Item
Identifier: CC-32241-33799
Scope and Contents
Craig Saper curated this exhibition through loan of "Assemblings" entirely from the Sackner Archive. It might have been the largest exhibition of assemblings in a gallery space to date. His extensive essay describes the history of this international, alternative distribution system with its roots in Fluxus, Lettrisme, Situationism, Conceptualism and Cobra. Circumventing the established art gallery system, bookmakers, artists, visual poets, media artists send from 50 to 100 works to an assembler or compiler who distributes the assemblings to the participants and to subscribers. Worldwide networking systems developed, basically using the postal system and a few avant garde institutions, in an attempt to reach a wide audience and democratize art making. Assemblings combine both crafts and mechanized reproduction. Saper writes, "The artists cherish the production of carefully constructed individualized visual poems and constructions as well as the insistence that readers recuperate,...
Dates:
1997
[Untitled] / Assembling Press ; Young K ; Kostelanetz R ; Korn H ; Zelevansky P ; Federman R ; Cole D., 1985
Item
Identifier: CC-25152-25605